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Music and Women of the Commedia dell’ Arte in the Late Sixteenth Century
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  • 2015“Sing it Like Poor Barbary”: Othello and Early Modern Women’s Performance89 cited
  • 2018Women and Music in Sixteenth-Century Ferrara57 cited
  • 2012Vocal performance in the seventeenth century56 cited
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  • 2010The Sword of Judith: Judith Studies Across the Disciplines43 cited
  • 2005Mask and illusion: Italian opera after 163736 cited
  • 2021Reimagine to Revitalise17 cited
  • 2009‘Not One Thing Exactly’: Gender, Performance and Critical Debates over the Early Modern Boy‐Actress12 cited
  • 2015The Actress and Baroque Aesthetic Effects in Renaissance Drama10 cited
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  • 2004Commedia dell'Arte: characters, scenarios, and rhetoric8 cited
  • 2014The rival sirens: performance and identity on Handel's operatic stage7 cited
  • 2017The Bizarre Muse: The Literary Persona of Margherita Costa7 cited
  • 2015Anatomy of an Actress: Bel-imperia as Tragic Diva6 cited
  • 2012Instrumental performance in the nineteenth century6 cited

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  • 2012Vocal performance in the nineteenth century6 cited