Cultivating Music: The Aspirations, Interests, and Limits of German Musical Culture, 1770-1848

2002-01-01article124 citationsclosed

No readable copy stored yet — this record is metadata only.

Musicology and Musical Analysis Music History and Culture Literature, Musicology, and Cultural Analysis

Abstract

Preface 1. Introduction: Cultivating Music 2. Scholarship and the Definition of Musical Cultures 3. The Dilemma of the Popular: The Volk, the Composer, and the Culture of Art Music 4. Education and the Social Roles of Music 5. Performing Musical Culture: The Concert Afterword Notes Bibliography Index

Citations in this library

Stored only when both papers are in the corpus — 124 citations exist upstream.

Cited by

2011Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg

2013Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany

2018Inventing Eastern Europe in the Ear of the Enlightenment

2012Vocal performance in the seventeenth century

2018Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism

2010Richard Wagner: Self-Promotion and the Making of a Brand

2018‘Producing musicians like sausages’: new perspectives on the history and historiography of Venezuela's El Sistema

2012The Cambridge History of Musical Performance