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Contemporary Chinese art: primary documents
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Contemporary Chinese art: primary documents (2011)Contemporary Chinese art: primary documen…Off the Margins (2020)Off the MarginsRagpicking as Method (2019)Ragpicking as MethodThinking temporally when thinking relationally: Temporality in relational place-making (2018)Thinking temporally when thin…The market metaphors: Making sense of the emerging market for contemporary art in China (2018)The market metaphors: Making …The geographic political economy of art district formation in China: The case of Songzhuang (2017)The geographic political econ…Commodifying art, Chinese style: The making of China’s visual art market (2017)Commodifying art, Chinese sty…China’s modern image – contemporary Chinese art (2017)China’s modern image – contem…Urbanized interfaces: Visual arts in Chinese cities (2015)Urbanized interfaces: Visual …Migrant workers and the imaging of human infrastructure in Chinese contemporary art (2015)Migrant workers and the imagi…Lost in Translation? Interpreting contemporary Chinese photography (2015)Lost in Translation? Interpre…Chinese lingering, meditation's practice: reframing endurance art beyond resistance (2014)Chinese lingering, meditation…Experimental Art, Performance and ‘Publicness’: Repositioning the Critical Mass of Contemporary Chinese Art (2012)Experimental Art, Performance…Contemporary Chinese art and criticality: From the general to the particular (2012)Contemporary Chinese art and …Camera Lucida: Reflections on Photography (2001)Sweet Dreams: Contemporary Art and Complicity (2005)Zones of Indistinction: Giorgio Agamben’s ‘Bare Life’ and the Politics of Aesthetics (2009)REFRAMING DOCUMENTARY PHOTOGRAPHY IN CHINA (2018)Representations of Post-Industrial Shanghai (2024)Discipline and Punish: The Birth of the Prison (1978)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Artistic interventions in contemporary China (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Bodies that Matter: on the Discursive Limits of 'Sex' (1994)Vibrant Matter (2010)Bodies That Matter (2011)Modernity at Large: Cultural Dimensions of Globalization. (1998)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)The New Public Sphere: Global Civil Society, Communication Networks, and Global Governance (2008)The art of billboards in urbanized China (2020)Reimagining Affection in a Changing Shanghai (2023)Origins of the Chinese Avant-Garde: The Modern Woodcut Movement (2007)Making History: Wu Hung on Contemporary Art (2009)The Location of Culture (2012)Cultural Nationalism in Contemporary China (2004)China's New Order: Society, Politics, and Economy in Transition (2006)China's search for security (2013)Contemporary Art Fairs in Mainland China: From Local to International Status? (2021)The Field of Cultural Production: Essays on Art and Literature (1996)Struggling with the Creative Class (2005)Toward a Comparative Sociology of Valuation and Evaluation (2012)The aesthetic scene: A critique of the creative economy in urban China (2018)Commodification in Disguise: Growth Dynamics and Emerging Geography of Culture-Led Urban Redevelopments in Contemporary China (2025)The drunkard’s intention lies not on the wine: Reinterpreting culture-led urban redevelopment in China amidst profound regime changes (2025)The Rise of the Creative Class (2002)New State Spaces: Urban Governance and the Rescaling of Statehood (2004)Placing Arts Districts within Markets: A Case Study of 798 Arts District in Beijing (2019)Urban villages as incubators of creative clusters: the case of Guangzhou (2019)STRUCTURING ARTISTIC CREATIVITY FOR THE PRODUCTION OF A ‘ CREATIVE CITY ’: Urban Sculpture Planning in Shanghai (2021)A Global Sense of Place (1991)The New Urban Frontier: Gentrification and the Revanchist City (1996)The New Urban Frontier: Gentrification and the Revanchist City (1997)“That market has no quality”: Performative place frames, racialisation, and affective re‐inscriptions in an outdoor retail market in Amsterdam (2021)How Do Scholars Communicate the ‘Temporary Turn’ in Urban Studies? A Socio-Semiotic Framework (2021)“Art district without artists”: urban redevelopment through industrial heritage renovation and the gentrification of industrial neighborhoods in China (2023)Institutionalized Organizations: Formal Structure as Myth and Ceremony (1977)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)Economic Action and Social Structure: The Problem of Embeddedness (1985)When Corporations Are People: Agent Talk and the Development of Organizational Actorhood, 1890–1934 (2022)When the local encounters the global: aesthetic conflicts in the Chinese traditional music world (2022)The meaning of autonomy: How artists justify career paths (2024)
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Cited by

  • 2018Thinking temporally when thinking relationally: Temporality in relational place-making32 cited
  • 2017The geographic political economy of art district formation in China: The case of Songzhuang23 cited
  • 2018The market metaphors: Making sense of the emerging market for contemporary art in China21 cited
  • 2014Chinese lingering, meditation's practice: reframing endurance art beyond resistance15 cited
  • 2017Commodifying art, Chinese style: The making of China’s visual art market12 cited
  • 2015Migrant workers and the imaging of human infrastructure in Chinese contemporary art11 cited
  • 2015Urbanized interfaces: Visual arts in Chinese cities7 cited
  • 2012Contemporary Chinese art and criticality: From the general to the particular6 cited
  • 2017China’s modern image – contemporary Chinese art6 cited
  • 2015Lost in Translation? Interpreting contemporary Chinese photography5 cited
  • 2019Ragpicking as Method5 cited
  • 2012Experimental Art, Performance and ‘Publicness’: Repositioning the Critical Mass of Contemporary Chinese Art5 cited
  • 2020Off the Margins4 cited

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