Camera works: photography and the twentieth-century word

Abstract

Introduction: Mechanical Recording and the Modern Arts Part One: The Logocinema of the Little Magazines Chapter 1 Camera Work: The Hieroglyphics of the New Photography Chapter 2 transition: The Movies, the Readies, and the Revolution of the Word Chapter 3 Close Up: International Modernisms Struggle with Sound Part Two: Spectatorship, Media Relations, and Modern American Fiction Chapter 4 F. Scott Fitzgeralds Spectroscopic Fiction Chapter 5 An Eyeminded People: Spectatorship in Dos Passos U.S.A. Chapter 6 Du Bois, Johnson, and the Recordings of Race Chapter 7 Ernest Hemingways Media Relations Conclusion

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