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Cuba and its music: from the first drums to the mambo
0 references·14 citing·36 second hop
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Cited by

  • 2017Peculiar Animations: Listening to Afro-Atlantic Music in Caribbean Travel Narratives27 cited
  • 2007Mode, Melody, and Harmony in Traditional Afro-Cuban Music: From Africa to Cuba.9 cited
  • 2013Why African Americans Put the Banjo Down9 cited
  • 2013Black Hillbillies9 cited
  • 2013De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop7 cited
  • 2013Toward an Understanding of Conga santiaguera: Elements of La conga de Los Hoyos5 cited
  • 2009"Rapper on a Rampage": Theorising the Political Significance of Aboriginal Australian Hip Hop and Reggae5 cited
  • 2012A Cross-Cultural Grammar for Temporal Harmony in Afro-Latin Musics: Clave, Partido-Alto and Other Timelines5 cited
  • 2010Havana Reads the Harlem Renaissance: Langston Hughes, Nicolás Guillén, and the Dialectics of Transnational American Literature5 cited
  • 2012Grooves and Waves: Cyclicity and Narrativity in Cuban Timba Piano4 cited
  • 2018From Juke Joints to Jazz Jams: The Political Economy of Female Club Owners4 cited
  • 2016Visible, legitimate, and beautiful justice: A case study of music education formalization within a Haitian NGO3 cited
  • 2015Las Tonadas Trinitarias: History of an Afro-Cuban Musical Tradition from Trinidad de Cuba2 cited

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2011
The Revolution of the Body
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