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Henry Purcell: The Origins and Development of his Musical Style
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Henry Purcell: The Origins and Development of his Musical Style (1995)Henry Purcell: The Origins and Developmen…Compositional Artifice in the Music of Henry Purcell (2019)Compositional Artifice in the…‘Liveridge is in Ireland’: Richard Leveridge and the Earliest Surviving Dublin Birthday Odes (2017)‘Liveridge is in Ireland’: Ri…King Arthur and the Critics (2010)King Arthur and the CriticsComposition as an Act of Performance: Artifice and Expression in Purcell's Sacred Partsong Since God so tender a regard (2007)Composition as an Act of Perf…Robert Pindar, Thomas Busby, and the Mysterious Scoring of Henry Purcell's 'Come Ye Sons of Art' (2006)Robert Pindar, Thomas Busby, …The Cambridge History of English Literature (1916)Grove's Dictionary of Music and Musicians (1970)A General History of Music, from the Earliest Ages to the Present Period (2018)Four and Twenty Fiddlers: The Violin at the English Court 1540 - 1690 (1993)Purcell Manuscripts: The Principal Musical Sources (2000)Grove Music Online (2006)Music in the Baroque Era (1949)English Song: Dowland to Purcell (1974)Henry Purcell and the London Stage (1985)British Consciousness and Identity (1998)Nationalism in Ireland (2003)Musical Creativity in Restoration England (2013)Leviathan or The Matter, Forme and Power of a Common Wealth Ecclesiasticall and Civill (2012)19. The Second Treatise of Government (2016)An Essay Concerning Humane Understanding (2018)
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  • 2007Composition as an Act of Performance: Artifice and Expression in Purcell's Sacred Partsong Since God so tender a regard15 cited
  • 2006Robert Pindar, Thomas Busby, and the Mysterious Scoring of Henry Purcell's 'Come Ye Sons of Art'14 cited
  • 2019Compositional Artifice in the Music of Henry Purcell2 cited
  • 2010King Arthur and the Critics2 cited
  • 2017‘Liveridge is in Ireland’: Richard Leveridge and the Earliest Surviving Dublin Birthday Odes2 cited

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