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Spectacular narratives: Hollywood in the age of the blockbuster
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  • 2006What is the Avatar? Fiction and Embodiment in Avatar-Based Singleplayer Computer Games115 cited
  • 2009Cultural discount of cinematic achievement: the academy awards and U.S. movies’ East Asian box office71 cited
  • 2014Audio-description reloaded: An analysis of visual scenes in2012andHero23 cited
  • 2014What Is Spectacle?14 cited
  • 2007'The DVD of Attractions'?14 cited
  • 2015The Hobbit hyperreality paradox12 cited
  • 2006All Aboard The Polar Express : A ‘Playful’ Change of Address in the Computer-Generated Blockbuster10 cited
  • 2014Configuring Affect: Complex World Making in Fatih Akın’s Auf der anderen Seite (The Edge of Heaven)8 cited
  • 2011Resisting the Psycho-Logic of Intensified Continuity8 cited
  • 2023The Evolution of Film Genres: A Comparative Analysis of Hollywood and Bollywood8 cited
  • 2022Reality & Effect: A Cultural History of Visual Effects8 cited
  • 2003Technophobic Themes In Pre-1990 Computer Films8 cited
  • 2012‘Don’t Box Me In’: Blurred Lines in Waking Life and A Scanner Darkly6 cited
  • 2010The (Un) spectacle of the real: Forwarding an active spectator in Michael Haneke'sLe temps du loup/Time of the Wolf(2003)6 cited

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  • 2016From conflict to revolution: The secret aesthetic, narrative spatialisation and audience experience in immersive cinema design6 cited
  • 2004Afterwardsnessin film6 cited