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Broadway Babies: The People Who Made the American Musical
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Broadway Babies: The People Who Made the American Musical (1983)Broadway Babies: The People Who Made the …The Coming of the Musical Play: Rodgers and Hammerstein (2017)The Coming of the Musical Pla…The Cambridge Companion to the Musical (2017)The Cambridge Companion to th…New Horizons: The Musical at the Dawn of the Twenty-First Century (2017)New Horizons: The Musical at …American Musical Theatre before the Twentieth Century (2017)American Musical Theatre befo…‘We Said We Wouldn’t Look Back’: British Musical Theatre, 1935–1969 (2017)‘We Said We Wouldn’t Look Bac…Theorizing the Golden Age Musical: Genre, Structure, Syntax (2013)Theorizing the Golden Age Mus…Songs about entertainment: self-praise and self-mockery in the American musical (2007)Songs about entertainment: se…Migrations of a Mask (2006)Migrations of a MaskMusical theater and American culture (2004)Musical theater and American …The Cambridge History of American Theatre (2000)The Cambridge History of Amer…Musical Theatre since World War II (2000)Musical Theatre since World W…American Theatre in Context: 1945–Present (2000)American Theatre in Context: …Oklahoma!: ideology and politics in the vernacular tradition of the American musical (1999)Oklahoma!: ideology and polit…Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)The Broadway Musical: A Critical and Musical Survey (1992)The American Musical and the Formation of National Identity (2004)Musical Styles and Song Conventions (2012)The Filmed Musical (2012)The Television Musical (2012)Musical Stages : An Autobiography (1975)The American Film Musical (1994)The Civilizing Process (1939)The Interpretation of Cultures (1974)Nation‐States (2003)Performing Race and Place in Asian America: Korean American Adoptees, Musical Theatre, and the Land of 10,000 Lakes (2008)The Interpretation of Cultures (2017)The Coming of Post-Industrial Society: A Venture in Social Forecasting. (1974)AMUSING OURSELVES TO DEATH† (1985)After the Great Divide (1986)Heavenly Bodies: Film Stars and Society (1987)Highbrow/Lowbrow (1988)Love and Theft: Blackface Minstrelsy and the American Working Class. (1994)МЮЗИКЛ ЯК ІНТОНАЦІЙНА ПРАКТИКА (2022)Gender Trouble: Feminism and the Subversion of Identity (1991)The Black Atlantic: Modernity and Double Consciousness (1994)Imperial leather: race, gender and sexuality in the colonial contest (1996)Love and theft: blackface minstrelsy and the American working class (1994)The Lonely Crowd: A Study of the Changing American Character. (1951)Domestic Melodrama (2018)Gothic Melodrama (2018)The Cambridge Companion to English Melodrama (2018)
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Cited by

  • 2004Musical theater and American culture49 cited
  • 2017American Musical Theatre before the Twentieth Century25 cited
  • 2006Migrations of a Mask11 cited
  • 1999Oklahoma!: ideology and politics in the vernacular tradition of the American musical9 cited
  • 2017The Cambridge Companion to the Musical8 cited
  • 2000The Cambridge History of American Theatre6 cited
  • 2013Theorizing the Golden Age Musical: Genre, Structure, Syntax5 cited
  • 2000American Theatre in Context: 1945–Present4 cited
  • 2017The Coming of the Musical Play: Rodgers and Hammerstein3 cited
  • 2017New Horizons: The Musical at the Dawn of the Twenty-First Century3 cited
  • 2007Songs about entertainment: self-praise and self-mockery in the American musical2 cited
  • 2000Musical Theatre since World War II2 cited
  • 2017‘We Said We Wouldn’t Look Back’: British Musical Theatre, 1935–19692 cited

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