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Ghana's Concert Party Theatre
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this work references cited by second hop

References

  • 1986Oral Tradition as History743 cited
  • 1976Asante in the Nineteenth Century: The Structure and Evolution of a Political Order210 cited

Cited by

  • 2007The Anthropology of Texts, Persons and Publics463 cited
  • 2007THE OBSERVATION OF PARTICIPATION AND THE EMERGENCE OF PUBLIC ETHNOGRAPHY187 cited
  • 2017A History of African Popular Culture148 cited
  • 2002Educating an African Leadership: Achimota and the Teaching of African Culture in the Gold Coast25 cited
  • 2013BLACK ATLANTIC VISIONS: History, Race, and Transnationalism in Ghana24 cited
  • 2013Routes of Blackface21 cited
  • 2019Blackface at the Andean Fiesta: Performing Blackness in the Danza de Caporales18 cited
  • 2022Creole Noise16 cited
  • 2013Becoming a “Society of the Spectacle”: Ghanaian Hiplife Music and Corporate Recolonization9 cited
  • 2006Zulu Choral Music?Performing Identities in a New State9 cited
  • 2017Traditional Music as a Sustainable Social Technology for Community Health Promotion in Africa: “Singing and Dancing for Health” in Rura Northern Ghana8 cited
  • 2014Fatty Boom Boom and the Transnationality of Blackface in Die Antwoord's Racial Project7 cited
  • 2012Performing Ferocity: Fancy Dress, Asafo, and Red Indians in Ghana

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7 cited
  • 2022Performing Sustainability in West Africa6 cited
  • 2011Highlife and its Roots: Negotiating the social, cultural, and musical continuities between popular and traditional music in Ghana5 cited