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Cited by

• 2004Nineteenth-Century Music: Quantity, Quality, Qualities17 cited
• 2007Dancing in the Imagined Space of Music16 cited
• 2014Modernism on Stage: The Ballets Russes and the Parisian Avant-Garde16 cited
• 2015Music under Louis XIII and XIV, 1610–171513 cited
• 2006Yearning for the Spiritual Ideal: The Influence of India on Western Dance 1626–200311 cited
• 2006Golden Calves: The Role of Dance in Opera9 cited
• 2005Viganò’s ‘Giovanna d’Arco’ and Manzoni’s ‘March 1821’ in the Storm of 1821 Italy6 cited
• 2007"The Call of Salome": American Adaptations and Re-creations of the Female Body in the Early Twentieth Century5 cited
• 2015Gesture to Opera: Yinka Shonibare'sUn ballo in maschera4 cited
• 2000The EarliestGiselle? A Preliminary Report on a St. Petersburg Manuscript3 cited
• 2014Re-thinking Paris at the fin-de-siecle: A new vision of Parisian musical culture from the perspective of Gabriel Astruc (1854-1938)2 cited
• 2008On Ballet at the Opéra, 1909–14, andLa fête chez Thérèse2 cited
• 2016The Ballets russes and beyond : music and dance in belle-époque Paris2 cited