The Rudderless Boat: Fluid Time and Passionate Geography in (Hardyng’s) Chronicle and (Malory’s) Romance

Meg Roland

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Medieval Literature and History Renaissance Literature and Culture Historical, Literary, and Cultural Studies

Abstract

Building on Don Kennedy’s work, this essay asserts that Malory’s geographic imagination has a strong debt to Hardyng’s Chronicle, specifically in the way that Malory integrates chronological geographic space into the more fluid landscape of romance. Le Morte Darthur flexibly accommodates the simultaneous intertwining of time constructs from the chronicle and romance traditions—a distinctive attribute of late medieval geographic practices.

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2012The Location of Culture 1986Of Other Spaces 1989The History of Cartography 1996Worldly Goods: A New History of the Renaissance 1939Geography in the Middle Ages 1967The Works of Sir Thomas Malory 2009City and Cosmos: The Medieval World in Urban Form 2004Arthurian Studies in Honour of P.J.C. Field

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