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French Opera 1730-1830: Meaning and Media
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French Opera 1730-1830: Meaning and Media (2024)French Opera 1730-1830: Meaning and MediaOn the History of P.Chevalier de Brissol’s Ballet “The Village Heroine” (1800) (2021)On the History of P.Chevalier…The Legacy of ‘ Ariadne’ and the Melodramatic Sublime (2018)The Legacy of ‘ Ariadne’ and …The Renaissance (2015)The RenaissanceThe Cambridge Companion to French Music (2015)The Cambridge Companion to Fr…Music under Louis XIII and XIV, 1610–1715 (2015)Music under Louis XIII and XI…From abbey to cathedral and court: music under the Merovingian, Carolingian and Capetian kings in France until Louis IX (2015)From abbey to cathedral and c…Foreign Opera at the London Playhouses: From Mozart to Bellini (2015)Foreign Opera at the London P…Sound and Sensibility in Diderot's 'Le Neveu De Rameau' (2013)Sound and Sensibility in Dide…Romantic Empowerment at the Paris Opera in the 1770s and 1780s (2013)Romantic Empowerment at the P…Opera in the Age of Rousseau: Music, Confrontation, Realism (2012)Opera in the Age of Rousseau:…A New View of the Eighteenth-Century 'Abduction' Opera: Edification and Escape at the Parisian 'TheaTres de la foire' (2010)A New View of the Eighteenth-…Amico (2009)AmicoFutures Past: On the Semantics of Historical Time. (1987)Inventing the barbarian: Greek self-definition through tragedy (1990)The Practice of Conceptual History: Timing History, Spacing Concepts (2002)Opéra-comique on the Eve of Revolution: Dalayrac's Sargines and the Development of “Heroic” Comedy (2015)Society and Culture in Early Modern France (1969)The Great Cat Massacre: And Other Episodes in French Cultural History (1984)Rabelais and his world (2020)Authors and Owners: The Invention of Copyright (1993)Britons : Forging the Nation, 1707-1837 (2003)Adaptation and Appropriation (2015)The Carolingians and the Written Word (1989)Listening in Paris (1995)The Proprietary Church in the Medieval West (2006)Love and its Critics (2017)Carolingian culture: Emulation and innovation (1995)The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess (1978)A philosophical enquiry into the origin of our ideas of the sublime and beautiful (1759) (1996)The Theory of the Sublime from Longinus to Kant (2015)Biographie universelle : ancienne et moderne (1854)Byron's Letters and Journals (1982)Value Creation and Knowledge Loss: The Case of Cremonese Stringed Instruments (2012)The forbidden best-sellers of pre-revolutionary France (1995)Tartini and the Tongue of Saint Anthony (2014)TWO HUNTERS, A MILKMAID AND THE FRENCH ‘REVOLUTIONARY’ CANON (2018)Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers (2019)Uniting the Arts to Stage the Nation: Le Sueur's Ossian (1804) in Napoleonic Paris (2019)Olivier Halanzier and the Operatic Museum in Late Nineteenth-Century France (2015)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)
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Cited by

  • 2015The Cambridge Companion to French Music33 cited
  • 2009Amico21 cited
  • 2015The Renaissance21 cited
  • 2012Opera in the Age of Rousseau: Music, Confrontation, Realism19 cited
  • 2015Music under Louis XIII and XIV, 1610–171513 cited
  • 2015From abbey to cathedral and court: music under the Merovingian, Carolingian and Capetian kings in France until Louis IX12 cited
  • 2015Foreign Opera at the London Playhouses: From Mozart to Bellini6 cited
  • 2010A New View of the Eighteenth-Century 'Abduction' Opera: Edification and Escape at the Parisian 'TheaTres de la foire'5 cited
  • 2013Romantic Empowerment at the Paris Opera in the 1770s and 1780s5 cited
  • 2018The Legacy of ‘ Ariadne’ and the Melodramatic Sublime3 cited
  • 2021On the History of P.Chevalier de Brissol’s Ballet “The Village Heroine” (1800)3 cited
  • 2013Sound and Sensibility in Diderot's 'Le Neveu De Rameau'3 cited

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