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How to Make a Human: Animals and Violence in the Middle Ages
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  • 2017Nonhuman voices in Anglo-Saxon literature and material culture46 cited
  • 2011The animal turn: Into the sea with the fish-knights of Perceforest24 cited
  • 2022Critical Posthumanism: An Overview23 cited
  • 2017Anglo-Saxon Literary Landscapes21 cited
  • 2018The Materiality of Medieval Parchment: A Response to “The Animal Turn”20 cited
  • 2018Where are the wild things? Animals in western medieval European History12 cited
  • 2019Dwelling with Humans and Nonhumans: Neighboring Ethics in The Franklin's Tale11 cited
  • 2014Touched by an owl? An essay in vernacular ethology8 cited
  • 2022Critical Posthumanism: An Overview8 cited
  • 2011Posthumanist theory and the premodern animal sign7 cited
  • 2018Middle English Mouths: Late Medieval Medical, Religious and Literary Traditions6 cited
  • 2012The Werewolf’s Indifference6 cited
  • 2016“Kek kek”: Translating Birds in Chaucer’s Parliament of Fowls5 cited
  • 2016Vital Property in The Wife of Bath’s Prologue and Tale4 cited
  • 2015Redeeming the Dog:4 cited

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  • 2014Reterritorialized Ritual: Classist Violence in Yvain and Ywain and Gawain3 cited