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The Triumph of Modernism: India's Artists and the Avant-Garde, 1922-1947
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Cited by

  • 2011Primitivism, humanism, and ambivalence: Cobra and Post-Cobra21 cited
  • 2018“A very civil idea …” Art History, Transculturation, and World-Making – With and Beyond the Nation17 cited
  • 2019Media, Indigeneity and Nation in South Asia6 cited
  • 2014Twentieth-Century Greek Cypriot Art: An “Other” Modernism on the Periphery6 cited
  • 2021Rediscovering Afghan Fine Arts: The life of an Afghan student in Germany, Abdul Ghafur Brechna4 cited
  • 2017Documentary Photography, Decolonization, and the Making of “Secular Icons”: Reading Sunil Janah’s Photographs from the 1940s through the 1950s2 cited
  • 2020Postindustrialism and the Long Arts And Crafts Movement: between Britain, India, and the United States Of America2 cited
  • 2017The Trace Beneath: The Photographic Residue in the Early Twentieth-century Paintings of the “Bombay School”2 cited
  • 2021“ENGLISH IS SO PRECISE, AND HINDI CAN BE SO HEAVY!”2 cited
  • 2019“Exciting a Wider Interest in the Art of India”The 1931 Burlington Fine Arts Club Exhibition1 cited

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