Gothick origins and innovations

Abstract

Allan LLOYD SMITH & Victor SAGE: Introduction. Maurice LEVY: 'Gothic' and the Critical Idiom. John Allen STEVENSON: Tom Jones, Jacobitism, and the Rise of Gothic. Jerrold E. HOGLE: The Ghost of the Counterfeit in the Genesis of the Gothic. Emma CLERY: Against Gothic. Richard HASLAM: Maturin and the 'Calvinist Sublime'. Tim MARSHALL: Frankenstein and the 1832 Anatomy Act. Allan LLOYD SMITH: 'Rip Van Winkle' and the Phantom. William VEEDER: Form, Psychoanalysis, and Gender in Gothic Fiction: The Instance of 'Rip Van Winkle'. Francesca ORESTANO: The Case for John Neal: Gothic Naturalized. Benjamin Franklin FISHER IV: Gothic Possibilities in Moby-Dick. Charles L. CROW: Jack London's The Sea-Wolf as Gothic Romance. William HUGHES: Profane Resurrections: Bram Stoker's Self-Censorship in The Jewel of Seven Stars. Edmund CUSICK: Stoker's Languages of the Supernatural: A Jungian Approach to the Novels. Jochen ACHILLES: Fantasy as Psychological Necessity: Sheridan Le Fanu's Fiction. Alison MILBANK: From the Sublime to the Uncanny: Victorian Gothic and Sensation Fiction. David SEED: Behind Closed Doors: The Management of Mystery in The Strange Case of Dr. Jekyll and Mr. Hyde. Victor SAGE: Gothic Laughter: Farce and Horror in Five Texts. Andrew HIGSON: Gothic Fantasy as Art Cinema: The Secret of Female Desire in The Innocents. David PUNTER: The Passions of Gothic.

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