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Tim Neighbour - an appreciation, Alec Hyatt King and Hugh Cobbe a select bibliography of the writings of O.W. Neighbour, Richard Chesser and David McLachlan Pycard's double canon - evidence of revision, Margaret Bent Henry VIII as a composer, David Fallows the missa Puer natus est nobis by Thomas Tallis, Joseph Kerman Woods so Wild - notes on a Byrd text, Alan Brown Bounds and Compasses the range of Byrd's keyboards, Davitt Moroney pitch and transposition in the paston manuscripts, Philip Brett the fall and rise of William Byrd, 1623-1901, Richard Turbet Benjamin Cosyn - sources and circumstance, Pamela Willetts the nonsuch music library, John Milsom Michael Honywood's music books, Iain Fenlon the fate of Steffani's I trionfi del fato, Colin Timms Handel's Atalanta, Winton Dean the Granville and Smith collections of Handel manuscripts, Donald Burrows problems in three Mozart autographs in the Stefan Zweig collection, Alan Tyson a footnote to the recent history of Mozart's Verzeichnuss manuscript, Albi Rosenthal the Chichele Plowdens and the British museum - footnote to a musical bequest, Alec Hyatt King Mendelssohn's Opus 1 - bibliographical problems of the C minor piano quartet, Peter Ward Jones a knot of Weipperts, John A. Parkinson Elgar songs as Contrafacta - some lost or unknown songs and song-texts recovered, Brian Trowell H.G. Wells and Vaughan Williams's A London Symphony - politics and culture in fin-de-siecle England, Alain Frogley Bela Bartok's draft of four pieces for orchestra, Laszlo Somfai a tale of two vixens - Janacek's relationship with Emil Hertzka at Universal Edition and the 1924 and 1925 editions of The Cunning Little Vixen, Nigel Simeone Webern, the BBC and the Berg violin concerto, Nick Chadwick Schoenberg and Weill, David Drew Schoenberg in Lowestoft - a chronology compiled from Britten's pocket diaries (1928-1939), Donald Mitchell the signs of genre - Britten's version of pastoral, Arnold Whittall American music in the British library - a preliminary survey, James Fuld.
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