SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
CHANGING PICTURES: DISCOLORATION IN 15TH-17TH CENTURY OIL PAINTINGS.
0 references·15 citing·50 second hop
CHANGING PICTURES: DISCOLORATION IN 15TH-17TH CENTURY OIL PAINTINGS. (2006)CHANGING PICTURES: DISCOLORATION IN 15TH-…The Girl in the Spotlight: Vermeer at work, his materials and techniques in Girl with a Pearl Earring (2020)The Girl in the Spotlight: Ve…Examination of the composition and mechanism of discoloration of the fugitive pigment copper resinate (2020)Examination of the compositio…Fading into the background: the dark space surrounding Vermeer’s Girl with a Pearl Earring (2019)Fading into the background: t…Significant Red: Watercolour and the Uses of Red Pigments in Military and Architectural Conventions (2018)Significant Red: Watercolour …Artificial orpiment, a new pigment in Rembrandt’s palette (2017)Artificial orpiment, a new pi…Influence of pigments and protein aging on protein identification in historically representative casein-based paints using enzyme-linked immunosorbent assay (2015)Influence of pigments and pro…Non-destructive micro-analytical differentiation of copper pigments in paint layers of works of art using laboratory-based techniques (2014)Non-destructive micro-analyti…Identification of Green Pigment Used in Persian Wall Paintings ( ad 1501-1736) Using PLM, FT-IR, SEM/EDX and GC-MS Techniques (2014)Identification of Green Pigme…Characterization of Pigment and Binder in Badly Conserved Illuminations of a 15th‐Century Manuscript (2013)Characterization of Pigment a…A study of 18th century Coptic icons of Ibrahim Al-Nasekh using Raman microscopy and gas chromatography–mass spectrometry: Indigo as an organic pigment in Egyptian panel paintings (2012)A study of 18th century Copti…“Cloeck en veerdigh”: Energetic and Skillful Painting Techniques of the Sixteenth-Century Leiden School (2012)“Cloeck en veerdigh”: Energet…Resinatos de cobre: estado de la cuestión y su debate entre la conservación y la eliminación (2011)Resinatos de cobre: estado de…The Unique History of TheArmorer’s Shop: AN APPLICATION OF CONFOCAL X-RAY FLUORESCENCE MICROSCOPY (2008)The Unique History of TheArmo…A German House Altar from the Sixteenth Century : CONSERVATION AND RESEARCH OF REVERSE PAINTINGS ON GLASS (2008)A German House Altar from the…Identification of Indigo and its Degradation Products on a Silk Textile Fragment Using Gas Chromatography-Mass Spectrometry (2007)Identification of Indigo and …VERDIGRIS AND COPPER RESINATE (1970)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Pigment Compendium (2008)Multi-Analytical Study of Copper-Based Historic Pigments and their Alteration Products (2019)Tracing the Alteration of Verdigris Pigment through Combined Raman Spectroscopy and X-ray Diffraction, Part I (2020)Cu(II)-binder complexes in azurite and malachite pictorial mixtures: An EPR study (2024)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Painting Materials: A Short Encyclopedia (2011)In Situ Hydrogel Extraction with Dual-Enzyme Digestion of Proteinaceous Binders: the Key for Reliable Mass Spectrometry Investigations of Artworks (2020)A comparative study on the extraction effects of common agents on collagen-based binders in mural paintings (2021)The Study of Pigments in Cultural Heritage: A Review Using Machine Learning (2024)Colour and art: A brief history of pigments (2005)Pigment Compendium: A Dictionary of Historical Pigments (2007)Color Paintings of Taiping Heavenly Kingdom Royal Residence: An Analytical Study (2022)A Study on the Materials Used in the Ancient Architectural Paintings from the Qing Dynasty Tibetan Buddhist Monastery of Puren, China (2023)Ancient Egyptian Materials and Industries (1948)Ancient Egyptian materials and technology (2000)Characterization of lacquer films from the middle and late Chinese warring states period 476–221BC (2017)Analytical and computational study of three coptic icons in Saint Mercurius Monastery, Egypt (2019)Shedding new light on lacquering crafts from the Northern Wei Dynasty (386–534 CE) by revisiting the lacquer screen from Sima Jinlong's Tomb (2025)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Copper and Bronze in Art: Corrosion, Colorants, Conservation (2002)Characterization of the wall paintings in La Casa de los Grifos of Roman city Complutum (2018)Identification of green pigments and binders in late medieval painted wings from Norwegian churches (2020)Advanced X-ray techniques to study the alteration of pigments in paintings (2025)ArtTAX – a new mobile spectrometer for energy-dispersive micro X-ray fluorescence spectrometry on art and archaeological objects (2001)A new 3D micro X-ray fluorescence analysis set-up – First archaeometric applications (2003)Development of confocal X-ray fluorescence (XRF) microscopy at the Cornell high energy synchrotron source (2006)European research platform IPANEMA at the SOLEIL synchrotron for ancient and historical materials (2011)Depth profiling reveals multiple paint layers of Louvre Renaissance paintings using non-invasive compact confocal micro-X-ray fluorescence (2012)High-resolution non-invasive 3D imaging of paint microstructure by synchrotron-based X-ray laminography (2013)The Coccid Insect Dyes: HPLC and Computerized Diode-Array Analysis of Dyed Yarns (1989)High‐performance liquid chromatography of blue and purple indigoid natural dyes (1991)The natural constituents of historical textile dyes (2004)A fast and reliable detection of indigo in historic and prehistoric textile samples (2015)A multi-analytical techniques based approach to study the colorful clothes and accessories from mummies of Eastern Central Asia (2016)Textile dyeing in Medieval Sudan evidenced by HPLC-MS analyses: Material traces of a disappeared activity (2021)Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings (2011)A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)Imaging secondary reaction products at the surface of Vermeer’s Girl with the Pearl Earring by means of macroscopic X-ray powder diffraction scanning (2019)Glass-based pigments in painting: smalt blue and lead–tin yellow type II (2021)Imaging Cultural Heritage at Different Scales: Part I, the Micro-Scale (Manufacts) (2023)REFLECTOGRAPHY OF PAINTINGS USING AN INFRARED VIDICON TELEVISION SYSTEM (1969)Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus (2015)From ‘Vermeer Illuminated’ to ‘The Girl in the Spotlight’: approaches and methodologies for the scientific (re-)examination of Vermeer’s Girl with a Pearl Earring (2019)The technical (re-)examination of Vermeer’s Girl with a Pearl Earring (2020)Beauty is skin deep: the skin tones of Vermeer’s Girl with a Pearl Earring (2019)Revealing the painterly technique beneath the surface of Vermeer’s Girl with a Pearl Earring using macro- and microscale imaging (2019)Mapping the pigment distribution of Vermeer’s Girl with a Pearl Earring (2020)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2017Artificial orpiment, a new pigment in Rembrandt’s palette37 cited
  • 2014Non-destructive micro-analytical differentiation of copper pigments in paint layers of works of art using laboratory-based techniques36 cited
  • 2008The Unique History of TheArmorer’s Shop: AN APPLICATION OF CONFOCAL X-RAY FLUORESCENCE MICROSCOPY34 cited
  • 2015Influence of pigments and protein aging on protein identification in historically representative casein-based paints using enzyme-linked immunosorbent assay33 cited
  • 2012A study of 18th century Coptic icons of Ibrahim Al-Nasekh using Raman microscopy and gas chromatography–mass spectrometry: Indigo as an organic pigment in Egyptian panel paintings29 cited
  • 2019Fading into the background: the dark space surrounding Vermeer’s Girl with a Pearl Earring22 cited
  • 2007Identification of Indigo and its Degradation Products on a Silk Textile Fragment Using Gas Chromatography-Mass Spectrometry22 cited
  • 2013Characterization of Pigment and Binder in Badly Conserved Illuminations of a 15th‐Century Manuscript20 cited
  • 2014Identification of Green Pigment Used in Persian Wall Paintings ( ad 1501-1736) Using PLM, FT-IR, SEM/EDX and GC-MS Techniques12 cited
  • 2020The Girl in the Spotlight: Vermeer at work, his materials and techniques in Girl with a Pearl Earring11 cited
  • 2008A German House Altar from the Sixteenth Century : CONSERVATION AND RESEARCH OF REVERSE PAINTINGS ON GLASS11 cited
  • 2020Examination of the composition and mechanism of discoloration of the fugitive pigment copper resinate

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

8 cited
  • 2012“Cloeck en veerdigh”: Energetic and Skillful Painting Techniques of the Sixteenth-Century Leiden School3 cited
  • 2018Significant Red: Watercolour and the Uses of Red Pigments in Military and Architectural Conventions3 cited
  • 2011Resinatos de cobre: estado de la cuestión y su debate entre la conservación y la eliminación1 cited