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Making people's music: Moe Asch and Folkways Records
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Making people's music: Moe Asch and Folkways Records (1998)Making people's music: Moe Asch and Folkw…O BANJO, A ABELHA E AS FLORES: ENTREVISTA COM ANTHONY SEEGER (2018)O BANJO, A ABELHA E AS FLORES…Folk Music and Political Activism in Greenwich Village and at the Newport Folk Festival, 1935–1965 (2018)Folk Music and Political Acti…Nina Sibirtzeva, or the Hidden Half of Musical Globalization (2017)Nina Sibirtzeva, or the Hidde…Histories of Literature and the Question of Comparative Oral Literary History (2016)Histories of Literature and t…Newly Imagined Audiences: Folkways' Gay and Lesbian Records (2008)Newly Imagined Audiences: Fol…Through the Eyes of Tom Joad: Patterns of American Idealism, Bob Dylan, and the Folk Protest Movement (2006)Through the Eyes of Tom Joad:…New technology requires new collaborations: Changing ourselves to better shape the future (2004)New technology requires new c…Urban Spaces and Working-Class Expressions across the Black Atlantic: Tracing the Routes of Ska (2003)Urban Spaces and Working-Clas…Is It True What They Sing About Dixie? (2002)Is It True What They Sing Abo…The homosexualization of America : the Americanization of the homosexual (1982)Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth- Century America. (1992)Sexual Politics, Sexual Communities (1998)Mystery and Manners: Occasional Prose (1957)As thousands cheer: the life of Irving Berlin (1991)Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot. (1997)Song Structure and Social Structure (1962)Mystery Train: Images of America in Rock 'n' Roll Music (1977)The metaphysical club: A story of ideas in America (2002)"Are My Songs Literature?": A Postmodern Appraisal of Bob Dylan's American Popular Music Culture (2018)Music and Politics (2018)Data Science Approach to Compare the Lyrics of Popular Music Artists (2022)Postmodernism, or, The cultural logic of late capitalism (1991)The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (1991)Modernity at Large: Cultural Dimensions of Globalization. (1998)‘Dis Slackness Ting’: A Dichotomizing Master Narrative in Jamaican Dancehall (2005)Chris Blackwell and “My Boy Lollipop”: Ska, Race, and British Popular Music (2010)Decolonization, decolonial excess, and punk: reflections on the cultural politics of race and coloniality in North Atlantic punk (2020)Why Suyà Sing. A Musical Anthropology of an Amazonian People (1991)The National Repatriation of Papua New Guinea Recordings: Experiences Straddling World War II (2012)Popular Music as Local Culture: An Ethnographic Study of the AlbumMatha Wa!by the Band Paramana Strangers from Papua New Guinea (2013)Sound recordings and cultural heritage: the Fonck Museum, the Felbermayer collection, and its relevance to contemporary Easter Island culture (2013)The Eighteenth Brumaire of Louis Bonaparte (1852) (2018)Structural Anthropology (2021)Judgment under Uncertainty: Heuristics and Biases (1974)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The Challenge of "Bi-Musicality" (1960)Ethnomusicology and Music Law (1992)Sustainable futures for music cultures: an ecological perspective (2017)The Origins of the Civil Rights Movement: Black Communities Organizing for Change. (1985)Reds, Whites, and Blues (2010)Alan Lomax: The Man Who Recorded the World (2011)Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)Changing Highbrow Taste: From Snob to Omnivore (1996)The Invention of 'Folk Music' and 'Art Music': Emerging Categories from Ossian to Wagner (2007)
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Cited by

  • 2016Histories of Literature and the Question of Comparative Oral Literary History28 cited
  • 2006Through the Eyes of Tom Joad: Patterns of American Idealism, Bob Dylan, and the Folk Protest Movement25 cited
  • 2003Urban Spaces and Working-Class Expressions across the Black Atlantic: Tracing the Routes of Ska21 cited
  • 2017Nina Sibirtzeva, or the Hidden Half of Musical Globalization13 cited
  • 2002Is It True What They Sing About Dixie?13 cited
  • 2004New technology requires new collaborations: Changing ourselves to better shape the future12 cited
  • 2018Folk Music and Political Activism in Greenwich Village and at the Newport Folk Festival, 1935–19653 cited
  • 2018O BANJO, A ABELHA E AS FLORES: ENTREVISTA COM ANTHONY SEEGER2 cited
  • 2008Newly Imagined Audiences: Folkways' Gay and Lesbian Records2 cited

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