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Music, Performance and African Identities
0 references·16 citing·43 second hop
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  • 2018Music and Politics:A Critical Introduction44 cited
  • 2013Representing language, culture, and language users in textbooks: A critical approach to swahili multiculturalism31 cited
  • 2018The Language of Diasporic Blogs24 cited
  • 2018Multilingual Youth Practices in Computer Mediated Communication23 cited
  • 2018Love, Struggle, and Compromises: The Political Seriousness of Nairobi Underground Hip Hop18 cited
  • 2018Music and Politics18 cited
  • 2010“I am Maasai”: Interpreting ethnic parody in Bongo Flava14 cited
  • 2015Traditional African dance education as curriculum reimagination in postcolonial Zimbabwe: a rethink of policy and practice of dance education in the primary schools14 cited
  • 2018Virtually Norwegian13 cited
  • 2008Keeping it real: reality and representation in Maasai Hip-Hop11 cited
  • 2018The Korean Wave, K-Pop Fandom, and Multilingual Microblogging9 cited
  • 2019Experiments in sound: generating sonic landscapes in online spaces7 cited
  • 2014Fatty Boom Boom and the Transnationality of Blackface in Die Antwoord's Racial Project7 cited
  • 2018Tsotsitaal Online6 cited
  • 2017

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Cinemagoing in District Six, Cape Town, 1920s to 1960s: History, politics, memory
6 cited
  • 2014Performing the self : rappers, urban space and identity in Dar es Salaam5 cited