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Chapter 1 Introduction Part 2 Part 1: Kabuki Chapter 3 Chapter 1. From Bombs to Booms: When the Occupation Met Kabuki Chapter 4 Chapter 2. Playing for the Majors and the Minors: Ichikawa Girls' Kabuki on the Postwar Stage Chapter 5 Chapter 3. The Good Censors: Evading the Threat to Postwar Kabuki Chapter 6 Chapter 4. The Mitsukoshi Gekij?: The Little Theater That Could Chapter 7 Chapter 5. Performing the Emperor's New Clothes: The Mikado, The Tale of Genji, and Lese Majeste on the Japanese Stage Part 8 Part 2: Other Traditional Theaters Chapter 9 Chapter 6. No and Kyogen during the Occupation Chapter 10 Chapter 7. Mitsuwa-kai versus Shochiku: Occupation Reforms and the Unionization of Bunraku Chapter 11 Chapter 8. Surviving and Succeeding: The Yuki-za Marionette Theater Company Chapter 12 Chapter 9. Laughter after Wars: Rakugo during the Occupation Part 13 Part 3: Modern Theater Chapter 14 Chapter 10. SCAP'S Problem Child: American Aesthetics, the Shingeki Stage, and the Occupation of Japan Chapter 15 Chapter 11. From War Responsibility to the Red Purge: Politics, Shingeki, and the Case of Kubo Sakae Chapter 16 Chapter 12. A Fabulous Fake: Folklore and the Search for National Identity in Kinoshita Junji's Twilight Crane Chapter 17 Chapter 13. To the Rhythm of Jazz: Enoken's Postwar Musical Comedies Part 18 Appendix A. A Note on Kabuki Censorship: An Interview withJames R. Brandon Part 19 Appendix B. A Note on Kansai Kabuki Part 20 Appendix C. A Note on Takarazuka
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