SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Comedy/Cinema/Theory
0 references·16 citing·53 second hop
Comedy/Cinema/Theory (1991)Comedy/Cinema/TheoryHumorous phenomena in dramatic discourse (2013)Humorous phenomena in dramati…The Subject of Torture: Regarding the Pain of Americans in Hostel (2010)The Subject of Torture: Regar…Comedy of power, power of comedy: strategic transformations in African cinemas1 (2010)Comedy of power, power of com…Of Myths and Men: Better Luck Tomorrow and the Mainstreaming of Asian America Cinema (2008)Of Myths and Men: Better Luck…Narrative versus style: Effect of genre-typical events versus genre-typical filmic realizations on film viewers’ genre recognition (2008)Narrative versus style: Effec…"Before She Was a Virgin. ..": Doris Day and the Decline of Female Film Comedy in the 1950s and 1960s (2006)"Before She Was a Virgin. .."…Cinema of Attractions versus Narrative Cinema: Leonid Gaidai’s Comedies and El'dar Riazanov’s Satires of the 1960s (2003)Cinema of Attractions versus …Is Funny Music Funny? Contexts and Case Studies of Film Music Humor (2002)Is Funny Music Funny? Context…The Girl and the Phonograph; or the Vamp and the Machine Revisited (2001)The Girl and the Phonograph; …Technologies of Early Stardom and the Extraordinary Body (2001)Technologies of Early Stardom…Popular Songs and Comic Allusion in Contemporary Cinema (2001)Popular Songs and Comic Allus…OH BEHAVE! (2001)OH BEHAVE!Cinema and Popular Song (2001)Cinema and Popular SongMoving Pictures (1999)Moving PicturesQueer Nationality (written with Elizabeth Freeman) (1997)Queer Nationality (written wi…A note on film metaphor (1996)A note on film metaphorA Theory of Cognitive Dissonance (1957)Handbook of Social Psychology (2013)“I Has Seen Image Macros!” Advice Animals Memes as Visual-Verbal Jokes (2016)With or without intentions: Accountability and (un)intentional humour in film talk (2016)A Theory of Cognitive Dissonance (2017)No child’s play (2017)The Sociology of Georg Simmel (1950)Illuminations: Essays and Reflections (1968)Seeing double: Stunt performance and masculinity (2004)The Work of Art in the Age of Mechanical Reproduction (2007)Memory, Empathy, and the Politics of Identification (2009)Architectural and built environment discourses in an educational context: the Gottscho and Schleisner Collection (2011)Unheard melodies: narrative film music (1988)The Philosophical Writings of Descartes (1991)Handbook of social psychology (2004)A Laugh a Second? (2014)Great Expectations? The Changing Role of Audiovisual Incongruence in Contemporary Multimedia (2017)“And That’s Why You Always Leave a Note!”: Music as Comedic Element in the First Season of the Television Show Arrested Development (2018)Philosophical Perspectives on Metaphor (1982)Philosophical Perspectives on Metaphor (1982)More than Cool Reason (1989)Grouping, Simile, and Oxymoron in Pictures: A Design-Based Cognitive Approach (2002)A Course in Pictorial and Multimodal Metaphor (2008)The flesh and blood of embodied understanding (2011)Hollywood from Vietnam to Reagan (1986)Spectacular bodies: gender, genre and the action cinema (1995)Paranormal activityand the Horror of Abject Consumption (2012)The Lexicon of Offence: The Meanings of Torture, Porn, and ‘Torture Porn’ (2013)Torture Porn (2014)Men, Women, and Chain Saws: Gender in the Modern Horror Film (2015)Mental Representations: A Dual Coding Approach (1986)Women, Fire, and Dangerous Things (1987)Women, Fire, and Dangerous Things: What Categories Reveal about the Mind (1988)Dubbing or Subtitling? (2009)Art films foster theory of mind (2021)Minds on Stage (2023)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)The Black Atlantic: Modernity and Double Consciousness (1994)Wet Dreams: Erotic Film Festivals of the Early 1970s and the Utopian Sexual Public Sphere (2006)As if History was Merely a Record : The pathology of nostalgia and the figure of the recording in contemporary popular cinema (2008)‘Same old song’: on audio-visual style in the films of Wes Anderson (2011)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Modernity at Large: Cultural Dimensions of Globalization. (1998)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)Speech Acts (1969)Empathy, Film, and the Brain (2014)Narratologie et sciences cognitives : une relation problématique* (2015)One Hundred Years of Photoplay: Hugo Münsterberg's Lasting Contribution to Cognitive Movie Psychology (2017)MUSIC VIDEO AND SYNAESTHETIC POSSIBILITY (2007)PARADOXES OF PASTICHE: (2007)The End is Nigh (2014)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2013Humorous phenomena in dramatic discourse145 cited
  • 1996A note on film metaphor93 cited
  • 1999Moving Pictures92 cited
  • 2002Is Funny Music Funny? Contexts and Case Studies of Film Music Humor51 cited
  • 2001Technologies of Early Stardom and the Extraordinary Body42 cited
  • 2008Narrative versus style: Effect of genre-typical events versus genre-typical filmic realizations on film viewers’ genre recognition36 cited
  • 2001Popular Songs and Comic Allusion in Contemporary Cinema32 cited
  • 2001The Girl and the Phonograph; or the Vamp and the Machine Revisited31 cited
  • 2010The Subject of Torture: Regarding the Pain of Americans in Hostel25 cited
  • 1997Queer Nationality (written with Elizabeth Freeman)24 cited
  • 2006"Before She Was a Virgin. ..": Doris Day and the Decline of Female Film Comedy in the 1950s and 1960s22 cited
  • 2001OH BEHAVE!20 cited
  • 2003Cinema of Attractions versus Narrative Cinema: Leonid Gaidai’s Comedies and El'dar Riazanov’s Satires of the 1960s19 cited
  • 2001Cinema and Popular Song16 cited
  • 2010Comedy of power, power of comedy: strategic transformations in African cinemas1

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

15 cited
  • 2008Of Myths and Men: Better Luck Tomorrow and the Mainstreaming of Asian America Cinema11 cited