Dies irae: a guide to requiem music

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Musicology and Musical Analysis Death, Funerary Practices, and Mourning Literature, Musicology, and Cultural Analysis

Abstract

Chapter 1 Foreword Chapter 2 Acknowledgments Chapter 3 Abbreviations Chapter 4 Introduction Chapter 5 1 The Gregorian Requiem Mass Chapter 6 2 The Polyphonic Corsican Requiem Chapter 7 3 The Renaissance and the Franco-Flemish School Chapter 8 4 The High Renaissance Chapter 9 5 The Baroque Requiem Chapter 10 6 The Symphonic Requiem Chapter 11 7 Romanticism Chapter 12 8 The Twentieth Century Chapter 13 9 Dies Irae Chapter 14 10 Ein Deutsches Requiem: The German Requiem Chapter 15 11 The Anglican Requiem Chapter 16 12 The Byzantine-Greek Requiem Chapter 17 13 The Russian Orthodox Panikhida Chapter 18 14 The Serbian Orthodox Requiem: Opelo Chapter 19 15 The Armenian Orthodox Requiem Chapter 20 Appendix A: Dies Irae Melodies Chapter 21 Appendix B: More Liturgical Requiems Chapter 22 Bibliography Chapter 23 Composer Index Chapter 24 About the Author

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2012‘Requiem sempiternam’? Death and the musical requiem in the twentieth century 2017The Polyphonic Mass in France, 1600–1780

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