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Cited by

• 2009“People in Stockholm are smarter than countryside folks” – Reproducing urban and rural imaginaries in film and life83 cited
• 1996Teaching visualised geographies: towards a methodology for the interpretation of visual materials72 cited
• 2005Metonymy and the Metropolis: Television Show Settings and the Image of New York City43 cited
• 2008Movement, memory, landscape: an excursion in non-representational thought37 cited
• 2002Humor and Film in the Geography Classroom: Learning from Michael Moore'sTV Nation27 cited
• 1993Weir(d) Sex: Representation of Gender-Environment Relations in Peter Weir's Picnic at Hanging Rock and Gallipoli27 cited
• 1998Toward a Geo-Cinematic Hermeneutics: Representations of Los Angeles in Non-Industrial Cinema -- Killer of Sheep and Water and Power25 cited
• 2008The racialized geographies of news consumption and production: contaminated memories and racialized silences24 cited
• 2013Blue Indians: Teaching the Political Geography of Imperialism With Fictional Film23 cited
• 2006Leading Men to Violence and Creating Spaces for their Emotions23 cited
• 2007Cine y Geografía: espacio geográfico, paisaje y territorio en las producciones cinematográficas22 cited
• 2001Seeing how it was?: childhood geographies and memories in home movies21 cited
• 2008Teaching to understand the urban sensorium in the digital age: lessons from the studio