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Conjugations: Marriage and Form in New Bollywood Cinema
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  • 2014A new kind of radio: FM broadcasting in India21 cited
  • 2016‘English Vinglish’ and Bollywood: what is ‘new’ about the ‘new woman’?20 cited
  • 2017A brief introduction to popular cinema in Bengal: genre, stardom, public cultures16 cited
  • 2022Sirens of Modernity14 cited
  • 2013Metafiguring Bollywood: Brecht after Om Shanti Om14 cited
  • 2020Masculine anxiety and ‘new Indian woman’ in the films of Anurag Kashyap11 cited
  • 2014Exploring the ‘Other’: inter-faith marriages inJodhaa Akbarand beyond7 cited
  • 2014‘Bollywood’s fourth Khan’: deconstructing the ‘hatke’ stardom of Vidya Balan in popular Hindi cinema7 cited
  • 2014FILM DANCE, FEMALE STARDOM, AND THE PRODUCTION OF GENDER IN POPULAR HINDI CINEMA7 cited
  • 2020China and Bollywood: The Potential for Building the World’s Largest Film Market6 cited
  • 2017A national cinema’s transnational aspirations? Considerations on “Bollywood”6 cited
  • 2016‘New Bollywood’ and the emergence of a ‘Production House’ culture5 cited
  • 2017Kehte Hain Humko Pyar Se Indiawaale: Shaping a contemporary diasporic Indianness in and through the Bollywood Song

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5 cited
  • 2017Towards neurotic realism: Otherness, subjectivity and new Hindi cinema4 cited