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Musik als existentielle Erfahrung : Schriften 1966-1995
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Musik als existentielle Erfahrung : Schriften 1966-1995 (1996)Musik als existentielle Erfahrung : Schri…Materiality, Contingency and Emergence of Compositional Material (2020)Materiality, Contingency and …Composition of Vocal Music. AgainstPrimacy of Content (2020)Composition of Vocal Music. A…Logic of Experimentation: Rethinking Music Performance Through Artistic Research (2018)Logic of Experimentation: Ret…Agency, Aporia, Approaches: How Does Musicology Solve a Problem Like Timbre? (2017)Agency, Aporia, Approaches: H…Time‐Space Experience in Works for Solo Cello by Lachenmann, Xenakis and Ferneyhough: a Performance‐Sensitive Approach to Morphosyntactic Musical Analysis (2016)Time‐Space Experience in Work…Philosophy Recomposed: Stanley Cavell and the Critique of New Music (2010)Philosophy Recomposed: Stanle…C harting M émoriale : P aradigmatic A nalysis and H armonic S chemata in B oulez ' s ... explosante ‐ fixe ... (2008)C harting M émoriale : P arad…Penser la musique aujourd'hui (1963)The Twelve-Note Music of Anton Webern (1991)How We Got into Analysis, and How to Get out (1980)SUPERVENIENCE AS A PHILOSOPHICAL CONCEPT* (1990)Language, Music, and Mind (1993)Poetics of Music in the Form of Six Lessons (1970)The time of music: new meanings, new temporalities, new listening strategies (1989)Beyond the score: music as performance (2014)“Use 19 Metal Pieces of Approximately the Same Timbre”. An Analysis of Twelve Recorded Performances of Xenakis’s Métaux (Pléïades) (2021)Large‐Scale Structure, Performance and Brahms's Op. 119 No. 2 (2021)Empirical Approaches to the Performance Analysis of New Music (2024)Aesthetics and Music (2007)Works of Music (2007)Works of Music: An Essay in Ontology (2007)The Modern System of the Arts: A Study in the History of Aesthetics Part I (1951)On the Differences Between Scientific and Artistic Approaches to Qualitative Research (1981)Listening and Voice: Phenomenologies of Sound, Second Edition (2007)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Meeting the Universe Halfway (2006)Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (2007)Discipline and Punish: The Birth of the Prison (1978)The Postmodern Condition: A Report on Knowledge (1984)Powers of Divergence : An Experimental Approach to Music Performance (2018)Creativity assessment in music education: interpretation of western music by students from the People’s Republic of China (2023)Teaching Music Performance in Higher Education (2024)
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  • 2018Logic of Experimentation: Rethinking Music Performance Through Artistic Research44 cited
  • 2016Time‐Space Experience in Works for Solo Cello by Lachenmann, Xenakis and Ferneyhough: a Performance‐Sensitive Approach to Morphosyntactic Musical Analysis12 cited
  • 2010Philosophy Recomposed: Stanley Cavell and the Critique of New Music7 cited
  • 2017Agency, Aporia, Approaches: How Does Musicology Solve a Problem Like Timbre?6 cited
  • 2008C harting M émoriale : P aradigmatic A nalysis and H armonic S chemata in B oulez ' s ... explosante ‐ fixe ...5 cited
  • 2020Composition of Vocal Music. AgainstPrimacy of Content3 cited
  • 2020Materiality, Contingency and Emergence of Compositional Material2 cited

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