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Art and Representation: New Principles in the Analysis of Pictures
0 references·16 citing·53 second hop
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  • 2001Spatial Metaphors in Temporal Reasoning171 cited
  • 2012Explaining ‘I Can’t Draw’: Parallels between the Structure and Development of Language and Drawing102 cited
  • 2015A multimodal parallel architecture: A cognitive framework for multimodal interactions95 cited
  • 2018Learning from failures of protocol in cross-cultural research74 cited
  • 2014Introduction: Varieties of Iconicity66 cited
  • 2002The emergence of visually realistic contour in the drawing of the human figure52 cited
  • 2008Why Feynman Diagrams Represent42 cited
  • 2015Narrative conjunction's junction function: The interface of narrative grammar and semantics in sequential images27 cited
  • 2014Framing “I can’t draw”: The influence of cultural frames on the development of drawing23 cited
  • 2004Perceptual Modes, Semiotic Codes, Social Mores: A Contribution towards a Social Semiotics of Drawing23 cited
  • 2014The construal of space in different registers: an exploratory study22 cited
  • 2003Living Icons: Tracing a Motif in Verbal and Visual Representation from the Second to Fourth Centuries C.E.22 cited
  • 2012Annotating traditional Chinese paintings for immersive virtual exhibition17 cited
  • 2008Size and contour as crucial parameters in children drawing images.

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16 cited
  • 2011The semiotic spectrum16 cited
  • 2010POLITICAL STRUCTURE, MILITARY TRAINING, AND IDEOLOGY AT CHICHEN ITZA13 cited