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Cited by

• 2005Dangerous News: Media Decision Making about Climate Change Risk199 cited
• 1998Television, madness and community care125 cited
• 2010The ‘creative treatment of actuality’: Rationalizing and reconceptualizing the notion of creativity for documentary practice69 cited
• 2014‘The televising of science is a process of television’: establishing Horizon, 1962–196739 cited
• 2009Professional Ideology and Program Conventions: Documentary Development in Independent British Television Production32 cited
• 2011Mary Adams and the producer’s role in early BBC science broadcasts27 cited
• 2015Screen production enquiry: a study of five Australian doctorates20 cited
• 1997Viewing what comes naturally: A feminist approach to television natural history20 cited
• 1997Splendours and miseries of the science wars19 cited
• 1987Landscapes in the living‐room: television and landscape research16 cited
• 2016The spectator in the film-maker: re-framing filmology through creative film-making practices15 cited
• 2014Making science at home: visual displays of space science and nuclear physics at the Science Museum and on television in postwar Britain12 cited
• 1988Museums and the media: A theoretical and methodological exploration111 cited