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Revolving Embrace: The Waltz as Sex, Steps, and Sound
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Cited by

  • 2007Dandy, Interrupted: Sublimation, Repression, and Self-Portraiture in Maurice Ravel's Daphnis et Chloé (1909–1912)27 cited
  • 2004Nineteenth-Century Music: Quantity, Quality, Qualities17 cited
  • 2006Balanchine's La Valse: Meanings and Implications for Ravel Studies8 cited
  • 2011Caroline Carvalho and nineteenth-century coloratura5 cited
  • 2014The Legacy of Johann Strauss: Political Influence and Twentieth-Century Identity3 cited
  • 2011M emory and M elancholy in the É pilogue of R avel ' s V alses nobles et sentimentales3 cited
  • 2020Bach and the Dance of Humankind2 cited
  • 2021Narrating Masculinity in the Dance Contest from Ravel'sDaphnis et Chloé2 cited
  • 2020Musicology and Dance2 cited
  • 2013J oseph L anner, J ohann S trauss S r and ‘The Future of Rhythm’2 cited

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