Postcolonial images: studies in North African film

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Cinema History and Criticism Cinema and Media Studies North African History and Literature

Abstract

Part I. Histories1. Beginnings in the 1960s 2. The 1970s 3. The 1980s 4. The 1990s 5. Into the PresentPart II. Themes and Styles6. An Indigenous Film Culture: El Chergui (1975) 7. History as Myth: Chronicle of the Years of Embers (1975) 8. A Fragile Masculinity: Omar Gatlato (1976) 9. Memory Is a Woman's Voice: La Nouba (1978) 10. Imag(in)ing Europe: Miss Mona (1987) 11. Defeat as Destiny: Golden Horseshoes (1989) 12. Sexuality and Gendered Space: Halfaouine (1990) 13. A Timeless World: Looking for My Wife's Husband (1993) 14. A New Future Begins: Silences of the Palace (1994) 15. A New Realism? Ali Zaoua (1999)

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2009Bourguiba's sons: melancholy manhood in modern Tunisian cinema 2007Locating the Postcolonial in Transnational Cinema: The Place of Algerian Émigré Directors in Contemporary French Film 2009Dictionary of African Film Makers 2010African Films in the Classroom 2024From Colonial Legacies to Linguistic Inclusion: A BERTopic Enhanced Bibliometric Insight Into Global South Higher Education 2008For a theory of regional cinemas: Middle Eastern, North African and Central Asian cinemas 2008Deconstructing Islamization in Pakistan: Sabiha Sumar Wages Feminist Cinematic Jihad through a Documentary Lens

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