Realist film theory and cinema: The nineteenth-century Lukácsian and intuitionist realist traditions

Abstract

Ian Aitken attempts a rigorous and systematic application of realist film theory to the analysis of particular films. He provides a comparative analysis of the theories of Grierson, Bazin and Kracauer, also throws new light on Lukács theory of realism, and attempts to establish a new paradigm of film theory around realism

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