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English Folk Song: Some Conclusions
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  • 1998Quatrain form in English folk verse104 cited
  • 2019Cultural evolution of music101 cited
  • 2022Sequence alignment of folk song melodies reveals cross-cultural regularities of musical evolution75 cited
  • 2013Yeats and Modern Poetry39 cited
  • 1994The Arts, Artifacts, and Artifices of Identity39 cited
  • 2013An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change33 cited
  • 2016Making an English Voice: Performing National Identity during the English Musical Renaissance32 cited
  • 1998Nation, authenticity and social difference in Australian popular music: Folk, country, multicultural27 cited
  • 2015Non-Western national music and empire in global history: interactions, uniformities, and comparisons27 cited
  • 2019Language, the Singer and the Song26 cited
  • 1993Folklore Studies and the English Rural Myth25 cited
  • 2011'It wants all the creases ironing out': Percy Grainger, the Folk Song Society, and the Ideology of the Archive24 cited
  • 2011Oral culture, written records and understanding the twentieth-century colonial archive. The significance of understanding from within22 cited
  • 2006Gathering the voices of the people? Cecil Sharp, cultural hybridity, and the folk music of Appalachia

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22 cited
  • 2012The Accessibility of Music: Participation, Reception, and Contact17 cited
  • 2002Cecil Sharp in Somerset: Some Reflections on the Work of David Harker16 cited