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Music and Dance: A Theory of the Relations Between Music and Possession.
0 references·16 citing·57 second hopsampled
Music and Dance: A Theory of the Relations Between Music and Possession. 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(1994)Demythologizing Consumption Practices: How Consumers Protect Their Field-Dependent Identity Investments from Devaluing Marketplace Myths (2010)Identity-in-the-work and musicians’ struggles: the production of self-questioning identity work (2016)Selling Out: Musicians, Autonomy, and Compromise in the Digital Age (2016)
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  • 1994Spirit Possession Revisited: Beyond Instrumentality439 cited
  • 2007Dub: soundscapes and shattered songs in Jamaican reggae195 cited
  • 2017The cultural evolution of shamanism179 cited
  • 2005Scientific Perspectives on Music Therapy168 cited
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  • 2013Empire of Dirt: The Aesthetics and Rituals of British Indie Music110 cited
  • 2010Dance and Sexuality: Many Moves110 cited
  • 2009The signs of the sacred: Identifying shamans using archaeological evidence94 cited
  • 2002Music tourism and factions of bodies in Goa89 cited
  • 2018Psychedelics and music: neuroscience and therapeutic implications87 cited
  • 2002"Nou Kwe nan Sentespri" (We Believe in the Holy Spirit): Music, Ecstasy, and Identity in Haitian Pentecostal Worship86 cited
  • 2001Learning to perform as a research technique in ethnomusicology*82 cited
  • 2016The Flexibility Hypothesis of Healing81 cited
  • 1997The sacred music of Islam:Samā’in the Persian Sufi tradition

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76 cited
  • 2007Music, Spirit Possession and the In-Between: Ethnomusicological Inquiry and the Challenge of Trance75 cited