The Origins of Modern Critical Thought: German Aesthetic and Literary Criticism from Lessing to Hegel

Abstract

Citations and abbreviations A note on selections and translations Introduction Part I. Lessing: 1. From Laocoon 2. Letter to Nicolai Part II. Herder: 3. Extract from Correspondence on the Ossian and the Songs of the Ancient People 5. Extracts from Shakespeare Part III. Kant: 5. Selections from the Critique of Judgement Part IV. Schiller: 6. From On the Aesthetic Education of Man 7. From On the Naive and Sentimental Poetry Part V. Friedrich Schlegel: 8. On Incomprehensibility 9. From Critical Fragments 10. From Athenaum Fragments 11. From Ideas 12. From On Goethe's 'Meister' 13. From Letter About the Novel Part VI. Fichte: 14. From On the Nature of the Scholar Part VII. Schelling: 15. Conclusion to System of Transcendental Idealism 16. From Philosophy of Art 17. On Dante in Relation to Philosophy Part VIII. A. W. Schlegel: 18. From Lectures on Dramatic Art and Literature Part IX. Novalis: 19. Monologue Part X. Goethe: 20. From Wilhelm Meister's Apprenticeship 21. From Winckelmann Part XI. Jean Paul Richter: 22. From School for Aesthetics Part XII. Solger: 23. From Erwin Part XIII. Schopenhauer: 24. From The World as Will and Representation Part XIV. Hegel: 25. From Aesthetics: Lectures on Fine Art Notes Bibliography.

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