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Second skin: Josephine Baker and the modern surface
0 references·16 citing·46 second hop
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  • 2014Metamodernism: Narratives of Continuity and Revolution206 cited
  • 2011Shine: On Race, Glamour, and the Modern115 cited
  • 2019Gestural Imaginaries103 cited
  • 2017Black Feminist Literacies: Ungendering, Flesh, and Post-Spillers Epistemologies of Embodied and Emotional Justice89 cited
  • 2018Skin Studies73 cited
  • 2014Photographing Objects as Queer Archival Practice68 cited
  • 2023Ecological Mourning: Living with Loss in the Anthropocene50 cited
  • 2017Visualizing Surfaces, Surfacing Vision: Introduction47 cited
  • 2018Yella gal: Eartha Kitt’s racial modulations29 cited
  • 2015Bottles, Bubbles, and Blood: Jean Toomer and the Limits of Racial Epidermalism28 cited
  • 2015Williams, Walker, and Shine: Blackbody Blackface, or the Importance of Being Surface26 cited
  • 2013Reimagining athletic nudity: the sexualization of sport as a sign of a ‘porno-ization’ of culture26 cited
  • 2017The Governmentality of Black Beauty Shame21 cited
  • 2017Afro-Futurism or Lament? Staging Africa(s) in Dance Today and in the 1920s19 cited
  • 2022Bikinis and Other Atomic Incidents: The Synthetic Life of the Nuclear Pacific

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17 cited
  • 2012Skin, Flesh, and the Affective Wrinkles of Civil Rights Photography17 cited