Post-structuralist Readings of English Poetry

Abstract

Notes on contributors Introduction Richard Machin and Christopher Norris 1. Presentation and representation in the Renaissance lyric: the net of words and the escape of the gods Murray Krieger 3. Speculations: Macbeth and source Jonathan Goldberg 4. Trust and transgression: the discursive practices of Much Ado about Nothing John Drakakis 5. Donne's praise of folly Thomas Docherty 6. Love and death in 'To His Coy Mistress' Catherine Belsey 7. Towards the autonomous subject in poetry: Milton's 'On His Blindness' Antony Easthope 8. Pope among the formalists: textual politics and 'The Rape of the Lock' Christopher Norris 9. Gray's 'Elegy': inscribing the twilight Stephen Bygrave 10. From topos to trope, from sensibility to Romanticism: Collins's 'Ode To Fear' Harold Bloom 11. Sex and history in The Prelude (1805): Books IX to XIII Gayatri C. Spivak 12. Bounding lines: The Prelude and critical revision Jonathan Arac 13. Coleridge and the deluded reader: 'The Rime of the Ancient Mariner' Frances Ferguson 14. Evening star and evening land Geoffrey Hartman 15. Ozone: an essay on Keats Richard Rand 16. Strategies of containment: Tennyson's In Memoriam Rob Johnson 17. Topography and tropography in Thomas Hardy's 'In Front of the Landscape' J. Hillis Miller 18. Yeats in theory Daniel O'Hara 19. The spider and the weevil: self and writing in Eliot's early poetry Maud Ellmann 20. Frost's thanatography Wallace Martin.

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