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Cited by

• 2008The Fabric of the City: Imaging Textile Production in Classical Athens130 cited
• 2011The Shipwreck of Odysseus: Strong and Weak Imagery in Late Geometric Art36 cited
• 2012ROOSTERS, COLUMNS, AND ATHENA ON EARLY PANATHENAIC PRIZE AMPHORAS: Symbols of a New Athenian Identity35 cited
• 2013Evaluation of the relief line and the contour line on Greek red-figure vases using reflectance transformation imaging and three-dimensional laser scanning confocal microscopy33 cited
• 2006“I Let Go My Force Just Touching Her Hair”: Male Sexuality in Athenian Vase-Paintings of Silens and Iambic Poetry30 cited
• 2021Weaving the Body Politic: The Role of Textile Production in Athenian Democracy as Expressed by the Function of and Imagery on the Éπίνητρον24 cited
• 2006The Introduction of the Moldmade Bowl Revisited: Tracking a Hellenistic Innovation21 cited
• 2020Communities and knowledge production in archaeology17 cited
• 2011An Evaluation of Decorative Techniques on a Red-Figure Attic Vase from the Worcester Art Museum using Reflectance Transformation Imaging (RTI) and Confocal Microscopy with a Special Focus on the “Relief Line”15 cited
• 2014“A Fracture in Time”: A Cup Attributed to the Euaion Painter from the Bothmer Collection11 cited
• 2009Cultural evolution in the Age of Athens: drift and selection in Greek figure-painted pottery7 cited
• 2018The iconography of death: continuity and change in prothesis ritual through iconographical techniques, motifs, and gestures depicted in Greek pottery