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Contents: Editors' preface Philosophy of music: Musical meaning?, Andrew Bowie Wagner: The trial of Richard Wagner, Roger Scruton Music as natural language in the moral order of Wagner's Ring: Siegfried, act 2, scene 3, Thomas S. Grey Wagner and Mendelssohn, John Deathridge Liszt: TrisZtan or, the case of Liszt's 'Ich mAchte hingehn', Alexander Rehding The controversy surrounding Liszt's conception of programme music, James Deaville Death transfigured: the origins and evolution of Franz Liszt's Totentanz, Anna Harwell Celenza Common narrative structures in music and literature: a semio-stylistic investigation in the arts of the 19th century (Liszt and Goethe), MA!rta GrabA(3)cz Changing aspects of the sacred and secular: Liszt's Legend of St Elisabeth in the Repertory of the K.K.Hof-Operntheater in Vienna, Cornelia SzabA(3)-Knotik Mediating Music: Creating, collecting and publishing in 19th-century France: World Fair - World Music: musical politics in 1889 Paris, Annegret Fauser Regionalism, Latinite and the French musical tradition: Deodat de Severac's Heliogabale, Andrea Musk Herodiade: Church, state and the feminist movement, Clair Rowden Music and Nation: Music copyright and the Prussian Copyright Act of 1837, Friedemann Kawohl German nationalism and the reception of the Czech String Quartet in Vienna, Elizabeth Way Sullivan Creation/Evolution: metaphoric syntheses in 19th- and early 20th-century music historiography in Britain, Bennett Zon Women and Music: Art music and activist discourse: the case of the African-American musician Amelia Tilghman, Juanita Karpf Josephine Lang and the Schumanns, Harald Krebs Index.
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