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Touched by the Graces: The Libretti of Philippe Quinault in the Context of French Classicism
0 references·5 citing·17 second hop
Touched by the Graces: The Libretti of Philippe Quinault in the Context of French Classicism (2001)Touched by the Graces: The Libretti of Ph…Dance and drama in French baroque opera a history (2016)Dance and drama in French bar…Opera between the Ancients and the Moderns (2015)Opera between the Ancients an…An Annotatedlivretof Lully'sRolandas a Source for Seventeenth-Century Declamation (2013)An Annotatedlivretof Lully'sR…Revisiting Atys: reflections on Les Arts Florissants' production (2006)Revisiting Atys: reflections …Power and display: music in court theatre (2005)Power and display: music in c…Dictionnaire de musique (1826):The Order of Books: Readers, Authors, and Libraries in Europe between the Fourteenth and Eighteenth Centuries (1996)Music and Theatre in France 1600–1680 (2000)Dance and Drama in French Baroque Opera (2016)Roger North on Music; Being a Selection from His Essays Written during the Years c. 1695-1728 (1960)Reflexions critiques sur la poésie et sur la peinture (1967)Le dictionnaire universel (1978)Sound and Sensibility in Diderot's 'Le Neveu De Rameau' (2013)Music and Theatre from Poliziano to Monteverdi (1982)Art and Power: Renaissance Festivals 1450-1650 (1986)Music in the Seventeenth Century (1987)The fabrication of Louis XIV (1992)Musical exoticism: images and reflections (2009)Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers (2019)The Florentine Camerata: documentary studies and translations (1989)Metaphysical Song: An Essay on Opera (1999)German modernism: music and the arts (2006)
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  • 2006Revisiting Atys: reflections on Les Arts Florissants' production25 cited
  • 2013An Annotatedlivretof Lully'sRolandas a Source for Seventeenth-Century Declamation15 cited
  • 2016Dance and drama in French baroque opera a history4 cited
  • 2005Power and display: music in court theatre4 cited
  • 2015Opera between the Ancients and the Moderns4 cited

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