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Cited by

• 2010The Prehistoric Development of Clothing: Archaeological Implications of a Thermal Model201 cited
• 1990Through the Veil: San Rock Paintings and the Rock Face173 cited
• 1994Reading art, writing history: Rock art and social change in Southern Africa124 cited
• 1997The Myth of Ritual Origins? Ethnography, Mythology and Interpretation of San Rock Art98 cited
• 2002'We are the First People': Land, Natural Resources and Identity in the Central Kalahari, Botswana94 cited
• 1992Gender, representation, and power in San ethnography and rock art80 cited
• 2006Twenty-first century indigenism77 cited
• 2008An Interaction Model for Resource Implement Complexity Based on Risk and Number of Annual Moves76 cited
• 1994Sociality and Immediacy: Or, Past and Present Conversations on Bands75 cited
• 1992Ethnographic Evidence Relating to 'Trance' and 'Shamans' among Northern and Southern Bushmen73 cited
• 2006Implications of a mass kill site of springbok (Antidorcas marsupialis) in South Africa: hunting practices, gender relations, and sharing in the Later Stone Age64 cited
• 1988Revelations of religious reality: The individual in San rock art63 cited
• 1995Spiritual and Political Uses of a Rock Engraving Site and Its Imagery by San and Tswana-Speakers50 cited