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Cited by

• 1997Multiculturalism and Museums124 cited
• 2002'Totally Wild'? Colonising discourses, indigenous knowledges and managing wildlife108 cited
• 1996THE NEW PRIMITIVES: IDENTITY, LANDSCAPE AND CULTURAL APPROPRIATION IN THE MYTHOPOETIC MEN'S MOVEMENT43 cited
• 1998Some thingsdochange: indigenous rights, geographers and geography in Australia42 cited
• 2003The Return of the Native: Organizational Discourses and the Legacy of the Ethnographic Imagination23 cited
• 2019Spectral Perception and Ghostly Subjectivity at the Colonial Gender/Race/Sex Nexus21 cited
• 2011The Camera and the House: The Semiotics of New Guinea “Treehouses” in Global Visual Culture18 cited
• 2014Hearing Aboriginal Music Making in Non-Indigenous Accounts of the Bush from the Mid-Twentieth Century14 cited
• 2021Finding Oceania : organizing a collection of Oceanic photographs and albums at the Art Gallery of Ontario8 cited
• 2016Shooting Melanesians: Martin Johnson and Edward Salisbury in the Southwest Pacific7 cited
• 2014The Image is (Not) the Event: Negotiating the Pedagogy of Controversial Images4 cited
• 2021Finding Oceania : organizing a collection of Oceanic photographs and albums at the Art Gallery of Ontario2 cited
• 2024Conservation as Cultural Practice: The Portrait Collection of Indigenous Delegates by Henry Inman