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Introduction - James Donald Hooray for a Mickey Mouse Subject! PART ONE: MAPPING TRADITIONS North America - Dana Polan European Film Scholarship - Ian Aitken China - Stephanie Hemelryk Donald and Paola Voci Cinema, Politics and Scholarship Our Films, Their Films - Brian Shoesmith Some Speculations on Writing Indian Film History Film Research in Argentina - David Oubina Cinema Studies in Brazil - Ismail Xavier Y Tu Critica Tambien - Carlos A. Gutierrez The Development of Mexican Film Studies at Home and Abroad Australia - Noel King, Constantine Verevis and Deane Williams Postcolonial and Transnational Perspectives - Bhaskar Sarkar PART TWO: DISCIPLINARY DIALOGUES Film and Philosophy - Murray Smith Difficult Relations - Hamish Ford Film Studies and Continental European Philosophy Cinema and Art History - Angela Dalle Vacche Film Has Two Eyes Film and History - Vanessa R. Schwartz Mass Media, Anthropology and Ethnography - Faye Ginsburg Psychoanalysis and Cinema - Patrick Fuery The Political Economy of Film - Tom O'Regan TV's Next Season? - Lynn Spigel Film and Cultural Studies - Graeme Turner PART THREE: PARADIGMS IN PERSPECTIVE The Hollywood Industry Paradigm - Ruth Vasey Formalist Tendencies in Film Studies - Warren Buckland The Persistence of the Avant-Garde - Michael O'Pray Film and (as) Modernity - Julian Murphet Cinema/Ideology/Society - Jane Gaines The Political Expectations of Film Theory 'We Do Not Die Twice' - George Kouvaros Feminist Perspectives in Film Studies - Alison Butler Realism and Cinema Authors and Auteurs - John Caughie The Uses of Theory Where Sound Is - Philip Brophy Locating the Absent Aural in Film Theory The Question of Genre in Cult Film and Fandom - Matt Hills Between Contract and Discourse Film Audiences - Jostein Gripsrud and Erlend Lavik Re-Mapping Bollywood Cinema - Vijay Mishra Film in the Context of Digital Media - Scott McQuire
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