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Cited by

• 2005The seventeenth-century musical ‘work’50 cited
• 2012The Cambridge History of Musical Performance46 cited
• 2005Bach's extraordinary temperament: our Rosetta Stone--127 cited
• 2012The performer and the composer10 cited
• 2012Instrumental performance in the nineteenth century6 cited
• 2012Vocal performance in the nineteenth century6 cited
• 2012Performance in the ‘long eighteenth century’: an overview5 cited
• 2012Instrumental performance in the twentieth century and beyond5 cited
• 2012Vocal performance in the Renaissance3 cited
• 2016THE POLONAISE AND MAZURKA IN MID-EIGHTEENTH-CENTURY DRESDEN: STYLE AND STRUCTURE IN THE MUSIC OF JOHANN CHRISTIAN ROELLIG3 cited
• 2012The teaching of performance2 cited
• 2012Performance in the Renaissance: an overview2 cited
• 2010An Unknown Autograph of Harpsichord Music by William Croft2 cited
• 2012Vocal performance in the twentieth century and beyond2 cited
• 2012Instrumental performance in the ‘long eighteenth century’2 cited