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Listening as Spiritual Practice in Early Modern Italy
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  • 2019The Cambridge History of Music Criticism85 cited
  • 2019Writing about Popular Music53 cited
  • 2013"Look on Me": Theater, Gender, and Poetic Identity Formation in Milton's Maske19 cited
  • 2014Tartini and the Tongue of Saint Anthony13 cited
  • 2022Turn On, Tune In, Drift Off11 cited
  • 2020The Early Modern Period10 cited
  • 2017Scholars, Friends, Plagiarists: The Musician as Author in the Seventeenth Century9 cited
  • 2015Bad Latin, Bad Manners: Giovanni Battista Doni, Marin Mersenne, and Literary Style in Seventeenth-Century Music Theory8 cited
  • 2012Instrumental Music and 'Conversazione' in Early Seicento Venice: Biagio Marini's 'Affetti Musicali' (1617)5 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2015CANONISING SAN CARLO: SERMONISING, THE SOUNDING WORD, AND IMAGE CONSTRUCTION IN THE MUSIC FOR CARLO BORROMEO4 cited
  • 2017‘Música Para Los Reconciliados’: Music, Emotion, and Inquisitorial ‘Autos De Fe’ in early Modern Hispanic Cities4 cited
  • 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited
  • 2019Music Criticism in Norway3 cited

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2019
Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century
3 cited
  • 2021Jusepe de Ribera's Five Senses and the Practice of Prudence2 cited