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The San Francisco Tape Music Center : 1960s counterculture and the avant-garde
0 references·16 citing·41 second hop
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  • 2017Tape: Or, Rewinding the Phonographic Regime79 cited
  • 2017Improvisation and Social Aesthetics60 cited
  • 2012“Fun, Yes, but Music?” Steve Reich and the San Francisco Bay Area's Cultural Nexus, 1962–6537 cited
  • 2014Records ruin the landscape: John Cage, the sixties, and sound recording37 cited
  • 2023How the Grateful Dead Learned to Jam22 cited
  • 2020Ask the Experts21 cited
  • 2017Learning the Studio: Sketches for Mid-Century Electronic Music20 cited
  • 2020Improvisation and Value in Rock, 196615 cited
  • 2011Reich in Blackface:Oh Dem Watermelonsand Radical Minstrelsy in the 1960s15 cited
  • 2012The Buttons on Pandora’s Box: David Tudor and the Bandoneon13 cited
  • 2019Liveness and the Grateful Dead12 cited
  • 2022Turn On, Tune In, Drift Off11 cited
  • 2017Improvisation and Social Aesthetics11 cited
  • 2014Terry Jennings, the Lost Minimalist4 cited
  • 2019The Terminology of Borrowing3 cited
  • 2021Introduction: Nomadism, Fragmentation, and Marginality - The Hong Kong Music Underground in the East Asian Context

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3 cited