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Rembrandt en de regels van de kunst
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Rembrandt en de regels van de kunst (1979)Rembrandt en de regels van de kunstOn Gerard de Lairesse’s “Frenchness,” His Liège Roots, and His Artistic Integration in Amsterdam (2020)On Gerard de Lairesse’s “Fren…Grace, Genius, and the Longinian Sublime in Rembrandt’s Aristotle with a Bust of Homer (2016)Grace, Genius, and the Longin…The Universal Art of Samuel van Hoogstraten (1627-1678) (2013)The Universal Art of Samuel v…The Catalyst for Rembrandt's Satire on Art Criticism (2013)The Catalyst for Rembrandt's …Begging for Attention: The Artful Context of Rembrandt’s Etching Beggar Seated on a Bank (2013)Begging for Attention: The Ar…The gender of colors in Dutch art theory (2012)The gender of colors in Dutch…Towards a reconstruction of Rembrandt’s art theory (2011)Towards a reconstruction of R…More than one hand in paintings by Rembrandt (2011)More than one hand in paintin…Back to Basics: Rembrandt and the Emergence of Modern Painting (2011)Back to Basics: Rembrandt and…An illustrated chronological survey of Rembrandt’s small-scale ‘histories’: paintings, etchings and a selection of drawings (2011)An illustrated chronological …Rembrandt’s clothes — Dress and meaning in his self-portraits (2005)Rembrandt’s clothes — Dress a…‘Curious pictures’ and the art of description (1995)‘Curious pictures’ and the ar…The ‘Night watch’, or Officers and men of the company of Captain Frans Banning Cocq and Lieutenant Willem van Ruytenburgh (1989)The ‘Night watch’, or Officer…Devant le temps : histoire de l'art et anachronisme des images (2000)The re‐emergence of “emergence”: A venerable concept in search of a theory (2002)Why photography matters as art as never before (2009)Restauratieverslag van Rembrandts Nachtwacht (1976)Rembrandt (1982)Rembrandt: The Nightwatch (1982)Curiosity and Pilgrimage: The Literature of Discovery in Fourteenth-Century England (1976)The school of Prague: painting at the court of Rudolf II (1988)Lexicon Latinitatis Nederlandicae Medii Aevi (1997)Seductress of Sight: Studies in Dutch Art of the Golden Age (2000)The preference for the primitive: episodes in the history of Western taste and art (2003)The Visible World : Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age (2008)Rembrandt. Gemälde (1966)The Cleaning of Paintings, Problems and Potentialities (1969)Teutsche Academie der Bau-, Bild- und Mahlerey-Künste (1994)Rembrandt: His Life, His Paintings (1985)Jacques de Gheyn: Three Generations (1988)Rembrandt/Not Rembrandt in the Metropolitan Museum of Art: Aspects of Connoisseurship (1995)A Corpus of Rembrandt Paintings (1986)The moment of self-portraiture in German Renaissance art (1994)The Moment of Self-Portraiture in German Renaissance Art (1994)The Mirror and the Lamp: Romantic Theory and the Critical Tradition (1954)Rembrandt's Enterprise: The Studio and the Market (1989)Rembrandt’s Philosopher: Aristotle in the Eye of the Beholder (2016)Philosophical Investigations. (1954)The Gift: The Form and Reason for Exchange in Archaic Societies. (1992)Printed Commonplace-Books and the Structuring of Renaissance Thought (1996)Ut Pictura Poesis: The Humanistic Theory of Painting (1940)Theories of Art: From Plato to Winckelmann (1986)Rembrandt’s self-portraits: problems of authenticity and function (2005)
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Cited by

  • 2012The gender of colors in Dutch art theory7 cited
  • 2011Towards a reconstruction of Rembrandt’s art theory6 cited
  • 1995‘Curious pictures’ and the art of description6 cited
  • 2011Back to Basics: Rembrandt and the Emergence of Modern Painting5 cited
  • 2016Grace, Genius, and the Longinian Sublime in Rembrandt’s Aristotle with a Bust of Homer5 cited
  • 2013The Catalyst for Rembrandt's Satire on Art Criticism4 cited
  • 2011More than one hand in paintings by Rembrandt3 cited
  • 2013Begging for Attention: The Artful Context of Rembrandt’s Etching Beggar Seated on a Bank3 cited
  • 2013The Universal Art of Samuel van Hoogstraten (1627-1678)2 cited
  • 1989The ‘Night watch’, or Officers and men of the company of Captain Frans Banning Cocq and Lieutenant Willem van Ruytenburgh2 cited
  • 2020On Gerard de Lairesse’s “Frenchness,” His Liège Roots, and His Artistic Integration in Amsterdam2 cited
  • 2005Rembrandt’s clothes — Dress and meaning in his self-portraits2 cited
  • 2011An illustrated chronological survey of Rembrandt’s small-scale ‘histories’: paintings, etchings and a selection of drawings1 cited

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