Displaced allegories: post-revolutionary Iranian cinema

Abstract

Illustrations ix Acknowledgments xi Introduction: Producing a National Cinema, a Woman's Cinema 1 1. Nationalizing Sense Perception: Bahram Bayza'i 15 2. Cleansing Vision: Abbas Kiarostami, Le Secret Magnifique 89 3. Negative Aesthetics: Post-Revolutionary Iranian Cinema and 1970s Feminist Film Theory 140 Notes 169 Bibliography 183 Index 193

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