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A Performer's Guide to Medieval Music
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A Performer's Guide to Medieval Music (2002)A Performer's Guide to Medieval MusicVernacular Song I : Lyric (2018)Vernacular Song I : LyricThe musical sounds of medieval French cities: players, patrons, and politics (2013)The musical sounds of medieva…Vocal performance in the twentieth century and beyond (2012)Vocal performance in the twen…Vocal performance in the seventeenth century (2012)Vocal performance in the seve…Vocal performance in the Renaissance (2012)Vocal performance in the Rena…Vocal performance in the nineteenth century (2012)Vocal performance in the nine…The teaching of performance (2012)The teaching of performanceThe performer and the composer (2012)The performer and the composerThe Cambridge History of Musical Performance (2012)The Cambridge History of Musi…Performance in the Renaissance: an overview (2012)Performance in the Renaissanc…Performance in the ‘long eighteenth century’: an overview (2012)Performance in the ‘long eigh…Instrumental performance in the twentieth century and beyond (2012)Instrumental performance in t…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…A History of Singing (2012)A History of SingingLocating the Past in the Present: Living Traditions and the Performance of Early Music (2006)Locating the Past in the Pres…Just Intonation in Renaissance Theory and Practice (2006)Just Intonation in Renaissanc…Image-Music-Text (1977)The Order of Things (2005)“We ARE our instrument!”: Forming a singer identity (2015)Singing our song: the affordances of singing in an intergenerational, multimodal literacy programme (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Reimagine to Revitalise (2021)The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)The Art of Memory (1966)The Book of Memory: A Study of Memory in Medieval Culture (1991)The book of memory: a study of memory in medieval culture (1991)Intonation of Solo and Ensemble Performance of the Same Melody (1949)The Structure of Recognizable Diatonic Tunings (1986)Studies in the History of Italian Music and Music Theory (1994)Historically Informed Retuning of Polyphonic Vocal Performance (2008)The owl and the nightingale: musical life and ideas in France, 1100-1300 (1990)Medievalism and the modernist temper (1996)The Book of Memory (2008)THE REASONS OF MISRULE: YOUTH GROUPS AND CHARIVARIS IN SIXTEENTH–CENTURY FRANCE (1971)Histoire de la population française (3) (1988)The Universities of Europe in the Middle Ages (2010)Review Essay: Street Life in Early Modern Europe (2013)The soundscape of the ceremonies for the beatification of St Teresa of Ávila in the Crown of Aragon, 1614 (2015)Pushing Boundaries: Women, Music, and the Life of Ana de Mendoza y de la Cerda, Princess of Eboli (2018)Shared musical creativity: teaching composer-performer collaboration (2020)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)Music in the Early Colonial World (2019)
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  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2012A History of Singing33 cited
  • 2013The musical sounds of medieval French cities: players, patrons, and politics26 cited
  • 2006Locating the Past in the Present: Living Traditions and the Performance of Early Music25 cited
  • 2006Just Intonation in Renaissance Theory and Practice19 cited
  • 2018Vernacular Song I : Lyric15 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2012The teaching of performance2 cited
  • 2012Performance in the Renaissance: an overview2 cited
  • 2012Vocal performance in the twentieth century and beyond

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2 cited