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This paper investigates the role of the designer in the “opening” of culture in fashion and technology. In particular it explores the convergence of “open practices” in vanguard technologies and fabrication processes found in the history of Modernist fashion, as well as recent popular uses of technology, and engineering, and more specifically wearables design practices.
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Stored only when both papers are in the corpus — 3 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.