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Theophrastus on stones: Introduction, Greek text, English translation, and commentary
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Theophrastus on stones: Introduction, Greek text, English translation, and commentary (1956)Theophrastus on stones: Introduction, Gre…Study of green‐coloured gems of the Roman period from the collections of the Archaeological Museum of Thessaloniki (Greece) and their possible geographic origin (2024)Study of green‐coloured gems …The fresco wall painting techniques in the Mediterranean area from Antiquity to the present: A review (2023)The fresco wall painting tech…The materialisation of colour: Reconstructing Egyptian blue manufacture on late Hellenistic Kos (2022)The materialisation of colour…Pigment nomenclature in the ancient Near East, Greece, and Rome (2021)Pigment nomenclature in the a…Isotopic composition of lead white pigments on qeros: implications for the chronology and production of Andean ritual drinking vessels during the colonial era (2020)Isotopic composition of lead …Competing English, Spanish, and French alabaster trade in Europe over five centuries as evidenced by isotope fingerprinting (2017)Competing English, Spanish, a…Testing Dioscorides' medicinal clays for their antibacterial properties: the case of Samian Earth (2015)Testing Dioscorides' medicina…Historic Mineral Pigments: Colorful Benchmarks of Ancient Civilizations (2015)Historic Mineral Pigments: Co…Dioscorides on Pharmacy and Medicine (1985)Industrial minerals and rocks (1994)Geophagia: The History of Earth-Eating (2002)Archaeological medicinal earths as antibacterial agents: the case of the Basel Lemnian sphragides (2017)Greco-Roman mineral (litho)therapeutics and their relationship to their microbiome: The case of the red pigment miltos (2018)Bridging the Gaps: Bole and Terra Sigillata as Artefacts, as Simples and as Antibacterial Clays (2020)Science and Civilisation in China (1963)Basic Color Terms: Their Universality and Evolution. (1971)Basic color terms: their universality and evolution. By Brent Berlin and Paul Kay. Berkeley & Los Angeles: University of California Press, 1969. Pp. xi, 178. $8.50. (1973)Maya Blue Pigments Derived From Clay Minerals (2019)A review of radiometric dating and pigment characterizations of rock art in Indonesia (2021)Acquisition of High Spectral Resolution Diffuse Reflectance Image Cubes (350–2500 nm) from Archaeological Wall Paintings and Other Immovable Heritage Using a Field-Deployable Spatial Scanning Reflectance Spectrometry Hyperspectral System (2022)Greek Marbles: Determination of Provenance by Isotopic Analysis (1972)Inter-regional interaction and urbanism in the ancient Indus valley : a geologic provenience study of Harappa's rock and mineral assemblage (2011)Trade in Artists’ Materials. Markets and Commerce in Europe to 1700. (2011)Toasts with the Inca: Andean abstraction and colonial images on quero vessels (2003)A GEOLOGICAL PERSPECTIVE ON THE USE OF Pb ISOTOPES IN ARCHAEOMETRY (2011)Beyond the Lettered City (2012)Cinnabar traditions across the ancient Central Andes: insights from the National Museum of the American Indian collections (2023)Ancient Egyptian Materials and Industries (1963)Ancient Egyptian materials and technology (2000)The Economics of the Roman Stone Trade (2013)Mortars and plasters—How mortars were made. The literary sources (2021)Production, transport and on-site organisation of Roman mortars and plasters (2021)Wall paintings through the ages: the roman period—Republic and early Empire (2021)Ideology, Materialization, and Power Strategies (1996)THE CHALLENGE OF ‘TECHNOLOGICAL CHOICES’FOR MATERIALS SCIENCE APPROACHES IN ARCHAEOLOGY* (2000)Rethinking materiality : the engagement of mind with the material world (2004)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Clay and iron oxide pigments in the history of painting (2003)Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)Present and future of chromatic reintegrations of wall paintings (2024)Mural Painting Across Eras: From Prehistoric Caves to Contemporary Street Art (2025)Malkata and Lisht Glassmaking Technologies: Towards a Specific Link between Second Millennium BC (2002)MAKING COLOURLESS GLASS IN THE ROMAN PERIOD* (2005)Raman identification of glassy silicates used in ceramics, glass and jewellery: a tentative differentiation guide (2006)
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  • 2021Pigment nomenclature in the ancient Near East, Greece, and Rome45 cited
  • 2015Testing Dioscorides' medicinal clays for their antibacterial properties: the case of Samian Earth32 cited
  • 2023The fresco wall painting techniques in the Mediterranean area from Antiquity to the present: A review29 cited
  • 2015Historic Mineral Pigments: Colorful Benchmarks of Ancient Civilizations25 cited
  • 2017Competing English, Spanish, and French alabaster trade in Europe over five centuries as evidenced by isotope fingerprinting13 cited
  • 2020Isotopic composition of lead white pigments on qeros: implications for the chronology and production of Andean ritual drinking vessels during the colonial era9 cited
  • 2024Study of green‐coloured gems of the Roman period from the collections of the Archaeological Museum of Thessaloniki (Greece) and their possible geographic origin8 cited
  • 2022The materialisation of colour: Reconstructing Egyptian blue manufacture on late Hellenistic Kos8 cited

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