Marian Devotion in Thirteenth-Century French Lyric

Daniel E. O’Sullivan

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Medieval European Literature and History Medieval Literature and History Historical, Literary, and Cultural Studies

Abstract

Acknowledgments Introduction: Secular and Religious in Medieval Culture Chapter 1: Gautier de Coinci's Marian Poetics of Familiar Strangeness * The Human and Divine in Harmony *'Amours, qui bien set enchanter' (I Ch 3/RS 851) *'Royne celestre' (I Ch 5/RS 956, 1903) * 'D'une amour quoie et serie' (II Ch 5/RS 1212) Chapter 2: Thibaut de Champagne, Genre, and the Medieval Taste for Hybrids * Thibaut in the Line of Gautier * Thibaut's Hybridized Marian Songs *'Commencerai a fere un lai': Genre and Aesthetic Play Chapter 3: Voicing Marian Devotion in Women's Devotional Song * Songs in the Voice of Everywoman * Religious Women Voicing Marian Devotion * Mary's Voice: 'Lasse, que devendrai gie' Chapter 4: Jacques de Cambrai, Distinctive Traditionalism, and Kaleidoscopic Contrafacta * Choices of Motif, Theme, and Model: The Case for Distinctive Traditionalism * Towards a Generative Model of Kaleidoscopic Contrafacture * Traditionalism, Innovation, and ' Retrowange novelle' * The Future of Old French Marian Song Chapter 5: Rutebeuf: Beyond the World of Marian Song * Rutebeuf's Polemical Marian Poetry * Marian Devotion Dramatized * When Mary Intercedes: 'Un dist de Nostre Dame' Conclusion: Contrafacture and Cultural Exchange Appendix of textual and musical editions of songs and poems Notes Bibliography Index

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